Printsource New York

📅 29 Jul – 31 Jul 2026 📍 Metropolitan Pavilion, New York, United States 🏢 0 exhibitors 👥 0 attendees

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About this event

Printsource New York

Event type: International print sourcing, design, textiles, packaging, publishing, stationery, home furnishings, apparel, and commercial print marketplace

Typical audience: Buyers, sourcing teams, designers, product developers, brand managers, print professionals, retailers, import/export teams, and manufacturing partners

Audience reach: Global, with strong concentration from the United States, Canada, Europe, Latin America, and Asia

Executive summary

Printsource New York is a strong sourcing and business-development event for companies involved in print design, surface design, textiles, stationery, packaging, brand graphics, and related creative production. It is not a broad consumer expo. It is a highly focused trade environment where buying intent is more important than raw footfall. The event attracts professionals looking for new artwork, print collections, licensing opportunities, production partners, and trend-driven creative assets that can be used across fashion, home, paper goods, publishing, and consumer products.

For attendee-list and buyer-list research, this event is especially valuable if your client sells anything connected to print, design, product development, manufacturing, sourcing, packaging, or retail merchandising. The most valuable contacts are usually not casual visitors; they are decision-makers who influence purchasing, sourcing, licensing, creative approvals, and vendor selection.

1️⃣ Who attends: Buyers / attendees

The attendee base is made up of trade buyers and sourcing professionals rather than general public visitors. This is what makes Printsource New York attractive for list buyers. The event tends to draw professionals who are actively searching for artwork, print collections, and production-ready design assets.

Main attendee groups:

  • Textile and surface design buyers
  • Apparel sourcing managers
  • Home furnishings and décor product developers
  • Stationery and gift product teams
  • Packaging designers and brand managers
  • Publishing art directors and production managers
  • Licensing executives and creative directors
  • Retail private-label development teams
  • Import/export and international sourcing teams
  • Printing, converting, and manufacturing vendor representatives

The best buyers are usually those responsible for deciding what artwork, patterns, prints, materials, or packaging visuals get selected for the next season or product cycle. These professionals may work for brands, design studios, mills, agencies, retailers, print houses, or sourcing firms.

2️⃣ Where the show is happening + attendee geographic origin

Printsource New York is held in New York City, which is a major advantage because the city naturally attracts international design, fashion, media, and sourcing professionals. New York also functions as a commercial hub for the U.S. East Coast, making it easy for domestic and international attendees to travel in for short sourcing trips.

Best geographic interpretation:

  • Primary location: New York City, New York, USA
  • Attendee origin: Mainly U.S. East Coast and national buyers, plus a meaningful international sourcing audience
  • International presence: Strong due to global print, textile, and design supply chains
  • Likely visitor origin mix: United States, Canada, United Kingdom, Italy, France, India, China, Japan, Turkey, Mexico, and other sourcing markets

Because New York is already a global business city, the attendee pool can include both local showroom visitors and fly-in decision-makers from major brands, agencies, and production houses. That makes this event useful for companies trying to reach both domestic and international buyers in one place.

3️⃣ Audience reach: Local / National / Global

Audience reach: Global with strong national impact

This event is best described as global because the product categories served by the show are embedded in international sourcing networks. The show is not limited to local New York buyers. It attracts brands and sourcing teams that operate across borders and often work with overseas suppliers, design libraries, and product development teams.

At the same time, the show has strong national relevance because New York remains one of the biggest commercial centers in the U.S. for apparel, home décor, publishing, and creative services. Many U.S.-based buyers use the event to find new design resources without traveling overseas.

4️⃣ Sample buyer company names + websites

Below is a sample buyer list you can use as a research starting point. These are buyer-side companies or buyer-relevant accounts that are likely to have interest in print design, textiles, packaging, licensing, creative development, publishing, retail, or branded products.

Priority Company Website Best Title to Target Why This is a Good Buyer Fit
1 Macy’s macys.com Print Sourcing Manager / Product Development Manager / Soft Home Buyer Large retail buyer with demand for seasonal prints, home products, gifting, and private-label development.
2 Target target.com Design Director / Sourcing Manager / Packaging Development Manager Strong retail buyer for home, stationery, lifestyle, and branded merchandise with frequent print-driven collections.
3 Walmart walmart.com Private Brand Product Developer / Packaging Manager / Category Manager High-volume buyer for consumer goods, packaging, and printed product design across multiple categories.
4 Williams-Sonoma williams-sonoma.com Product Development Manager / Surface Design Manager / Creative Director Strong fit for home furnishings, kitchen, and lifestyle products that rely on premium design and print aesthetics.
5 Pottery Barn potterybarn.com Textile Buyer / Print Designer / Merchandising Manager Home décor and soft goods business with heavy use of pattern, texture, and seasonal print collections.
6 H&M hm.com Apparel Sourcing Manager / Print Designer / Product Developer Fast-fashion buyer with continuous demand for trend-led prints, artwork, and global sourcing.
7 Gap Inc. gapinc.com Brand Product Developer / Textile Designer / Sourcing Manager Apparel group that needs seasonal prints, surface graphics, and vendor partnerships across multiple brands.
8 Ralph Lauren ralphlauren.com Design Director / Textile Developer / Licensing Manager Premium brand with strong need for prints, heritage graphics, lifestyle collections, and creative sourcing.
9 Anthropologie anthropologie.com Home Buyer / Print Designer / Product Development Lead Design-heavy retail brand with high demand for unique artwork, surface prints, and boutique-style product narratives.
10 Hallmark hallmark.com Creative Director / Stationery Buyer / Product Development Manager Excellent fit for greeting cards, stationery, gift packaging, and decorative print assets.
11 American Greetings americangreetings.com Art Director / Licensing Manager / Product Development Manager Heavy buyer of artwork, illustrations, print styles, and licensed creative content.
12 Crane crane.com Stationery Director / Creative Lead / Brand Manager Premium paper goods and stationery brand with ongoing need for elegant print and paper design.
13 Simon & Schuster simonandschuster.com Book Production Manager / Art Director / Cover Design Director Publishing buyer that depends on artwork, cover design, prepress, and visual production support.
14 Penguin Random House penguinrandomhouse.com Art Director / Production Designer / Editorial Production Manager Large publishing organization with regular demand for visual assets and print production expertise.
15 Shutterfly shutterfly.com Creative Operations Manager / Product Design Manager / Print Production Lead Personalized print and photo products business with strong dependence on digital print workflows and design input.
16 Minted minted.com Creative Partnerships Manager / Product Development Manager / Design Curator Design-led business focused on print creativity, stationery, wedding products, and artist-driven collections.
17 Crate & Barrel crateandbarrel.com Home Furnishings Buyer / Textile Developer / Merchandising Manager Home brand that values pattern development, print-driven décor, and supplier relationships.
18 West Elm westelm.com Design Manager / Soft Goods Buyer / Surface Pattern Developer Strong lifestyle and home décor buyer with continued demand for fresh print concepts and seasonal collections.

Top 5 buyer companies to start with: Macy’s, Target, Williams-Sonoma, Hallmark, and Penguin Random House. These give you a good spread across retail, home goods, stationery, and publishing, which are all highly relevant to this show.

5️⃣ Job profiles, industries & event type

The strongest job profiles are the people who control sourcing, collection development, creative approval, or vendor selection. For attendee-list selling, these are the names that matter most.

Best job profiles to target:

  • Product Development Manager
  • Design Director
  • Creative Director
  • Art Director
  • Print Sourcing Manager
  • Textile Designer
  • Surface Pattern Designer
  • Packaging Manager
  • Brand Manager
  • Merchandising Manager
  • Category Manager
  • Apparel Sourcing Manager
  • Home Furnishings Buyer
  • Stationery Buyer
  • Publishing Production Manager
  • Licensing Manager
  • Creative Operations Manager
  • Private Label Development Lead
  • Print Production Manager
  • Vendor Relations Manager

Best industry filters to use:

  • Apparel & Fashion
  • Design
  • Publishing
  • Printing
  • Graphic Design
  • Marketing & Advertising
  • Retail
  • Consumer Goods
  • Luxury Goods & Jewelry
  • Textiles
  • Furniture
  • Home Furnishings
  • Media Production
  • Online Media
  • Packaging & Containers
  • Import & Export
  • Wholesale
  • International Trade & Development
  • E-Commerce and Direct-to-Consumer brands, where applicable through company keywords

The event type is best categorized as a trade sourcing and design business event. It is not about general conference education or keynote-heavy networking alone. The core value is commercial discovery: meeting suppliers, finding artwork, reviewing collections, and sourcing design solutions.

6️⃣ Estimated attendance / expected footfall

Estimated attendance: Moderate to strong B2B footfall, with a targeted quality-over-quantity profile

Printsource New York is typically not a mass-scale consumer event, so the attendance numbers are usually lower than giant expos but significantly more valuable in terms of buyer relevance. The event’s strength is its concentration of trade professionals. Even when the total footfall is not massive, the percentage of decision-makers is often high.

Practical expectation: A few hundred to a few thousand trade visitors depending on edition, format, and market conditions. The exact attendance should be validated from the current event organizer’s published figures or show materials before quoting it to a client.

From a list-selling perspective, the more important metric is not just total people, but how many of them are true buyers, sourcing managers, creative approvers, and account decision-makers.

7️⃣ Key focus areas & buyer engagement

Printsource New York is built around discovery and sourcing. Buyers attend to see new work, compare suppliers, identify fresh design directions, and build a pipeline of creative assets and vendors for upcoming seasons.

Key focus areas:

  • Print and surface design
  • Textile and pattern sourcing
  • Apparel and fashion print development
  • Home décor and soft goods collections
  • Stationery, paper, and gifting products
  • Packaging graphics and brand visuals
  • Licensing and artwork acquisition
  • Commercial print services and production support
  • International vendor relationships
  • Seasonal trend forecasting and creative inspiration

Buyer engagement angle:

The best outreach strategy is to position the attendee list as a sourcing and design buyer database, not just as a list of show visitors. Buyers at this event care about creative quality, production reliability, speed to market, and originality. If your client’s offer supports product design, sourcing, packaging, or print production, this event can be a very strong fit.

Good engagement messages should emphasize:

  • New print collections and trend-ready artwork
  • Fast turnaround for seasonal product cycles
  • Custom design, licensing, and private-label support
  • High-quality sourcing for fashion, home, and gifting categories
  • Reliable production, color consistency, and creative collaboration

8️⃣ Client product review request

To recommend the best buyers for your client with precision, please share your client website first. The right target list depends heavily on what your client sells.

For example:

  • If the client sells printing equipment, the best buyers will be print houses, production managers, and manufacturing teams.
  • If the client sells design services, the best buyers will be art directors, brand teams, and creative operations leaders.
  • If the client sells packaging, the best buyers will be product developers, packaging managers, and brand sourcing teams.
  • If the client sells textiles or surface design, the best buyers will be apparel, home, and décor sourcing managers.
  • If the client sells software or digital workflow tools, the best buyers will be production managers, studio leaders, and creative operations teams.

Once you share the website, I can review the offer and narrow this down to the highest-probability buyer companies, exact job titles, and the strongest industry filters to use.

9️⃣ Best industry suggestion based on the industry list you provided

Based on the event profile, the most relevant industry selections from your list are:

  • Design
  • Apparel & Fashion
  • Publishing
  • Printing
  • Graphic Design
  • Retail
  • Marketing & Advertising
  • Textiles
  • Furniture
  • Packaging & Containers
  • Wholesale
  • Import & Export
  • Consumer Goods
  • Luxury Goods & Jewelry
  • Media Production

If your goal is attendee-list marketing and buyer targeting, the strongest combinations are usually Design + Apparel & Fashion, Publishing + Printing, and Retail + Packaging & Containers. Those combinations usually produce the most relevant decision-makers for this show.

Final recommendation

Printsource New York is a high-value event for companies that sell into creative sourcing, design development, print production, textiles, retail merchandise, stationery, and packaging. It is especially useful for database sales when the client wants qualified buyers rather than broad attendance.

Best buyer segments to collect:

  • Creative directors and art directors
  • Product development managers
  • Print sourcing and textile sourcing managers
  • Apparel and home goods buyers
  • Packaging and brand managers
  • Licensing and merchandising teams
  • Publishing production and design teams
  • Retail private-label and sourcing teams

Quality rating for attendee-list sales: 8.5/10

The event is highly relevant for targeted business outreach because the audience is commercial, design-led, and sourcing-oriented. The main limitation is that it may not be a huge-footfall event, but the buyer quality is likely stronger than many larger general trade shows.

If you share your client website, I can turn this into a sharper buyer list and tell you exactly which companies, job titles, and industries should be prioritized for this event.

Data sheet

Printsource New York – Event Attendee & Buyer Profile Analysis
Event date: July 29–31, 2026
Location: New York City, New York, United States
Event status: Upcoming
Research date: June 23, 2026
Event Overview
Event NamePrintsource New York
Event DateJuly 29–31, 2026
Event StatusUpcoming
VenueNew York City venue not confirmed in the provided event details. City-level location confirmed.
CityNew York City
State / RegionNew York
CountryUnited States
OrganizerOrganizer name requires current-edition confirmation from official event materials.
Official Event Websitetheprintsource.com
Event TypeInternational print sourcing, design, textiles, packaging, publishing, stationery, home furnishings, apparel, and commercial print marketplace
Primary CategoryApparel & Clothing
Secondary Applicable CategoriesPacking & Packaging; Home & Office; Business Services
Audience ReachGlobal, with strong U.S. and international sourcing relevance
Estimated Attendance / Expected FootfallAttendance figure not publicly confirmed by the organizer.
Attendance Data ReliabilityLow for current-year numeric counts; strong qualitative evidence for trade-buyer relevance
Main Purpose of EventTo connect print studios, textile and surface designers, licensing partners, manufacturers, and commercial buyers seeking artwork, patterns, print collections, packaging graphics, and design-led sourcing opportunities.
About the Event

Printsource New York is a specialized B2B marketplace focused on print, pattern, surface design, textiles, stationery, packaging graphics, and related creative applications across fashion, home, paper goods, publishing, and consumer products. It operates as a sourcing-led trade environment rather than a consumer expo, making the quality of buyer intent more important than broad public footfall.

The event matters because it brings together design supply and commercial demand in one setting: brands, retailers, product developers, licensing teams, sourcing managers, and creative decision-makers can review artwork, evaluate design trends, identify production partners, and discuss commercial usage rights. For lead generation, the strongest value is access to buying and approval-side professionals involved in design sourcing, merchandising, packaging, product development, and vendor selection.

1. Who Attends: Buyers / Attendees
Buyer / Attendee Segment Typical Organizations Buying Role or Influence Relevance to Exhibitors / Suppliers
Retail buyers and merchandising teams Department stores, specialty retailers, stationery retailers, home décor chains, gift retailers Select product assortments, review trend direction, approve sourced design programs High-value audience for print collections, seasonal artwork, packaging graphics, and licensed designs
Brand managers and product development teams Consumer brands in apparel, accessories, home, beauty, paper goods, and lifestyle products Influence artwork selection, product launches, packaging direction, and commercialization Core targets for design, trend, packaging, and print adaptation services
Sourcing and procurement teams Importers, wholesalers, private-label operators, manufacturers, global sourcing offices Evaluate external design partners, print vendors, fabric suppliers, and commercial production options Important for vendor onboarding, cost review, and supply-side qualification
Design directors and creative teams Fashion labels, home brands, publishers, packaging groups, licensing businesses Specify aesthetics, trend themes, art direction, and artwork usability High influence even when not final budget holders
Licensing and partnership teams Consumer brands, entertainment properties, art licensors, publishing groups Review licensable prints, IP usage, collaborations, and co-branded creative programs Strong fit for pattern libraries, licensing catalogs, and rights-managed artwork
Import/export and wholesale teams Importers, distributors, trading houses, sourcing intermediaries Search for commercially scalable designs and repeatable production partnerships Useful for converting design demand into larger-volume orders
Publishing and stationery decision-makers Greeting card companies, publishers, planners, notebooks, paper products brands Source artwork and graphics for print-led product lines High fit for surface design, repeat patterns, graphic collections, and packaging visuals
Manufacturing and production partners Textile converters, commercial printers, packaging manufacturers, home textile suppliers Assess print-ready assets and production partnerships Relevant where suppliers offer production services in addition to design
2. Event Location and Attendee Geographic Origin
Geographic Area Likely Attendee Origin Buyer Concentration Notes
Host city: New York City Local design, fashion, publishing, licensing, and home product buyers Very High NYC is a major hub for fashion, branding, publishing, stationery, licensing, and retail headquarters
Host state / region: New York and Tri-State area Buyers from New York, New Jersey, and Connecticut High Strong concentration of retailers, showrooms, converters, importers, and design agencies
Nearby business hubs Boston, Philadelphia, Washington DC corridor, North Carolina textile market, Los Angeles design and apparel market Medium to High Likely draw for sourcing and trend-oriented buyers willing to travel for design discovery
National reach U.S. retailers, consumer brands, textile buyers, product developers, paper goods and packaging teams High Strong relevance for buyers looking for trend-led design assets and commercial print applications
International reach Canada, Europe, Latin America, and Asia Medium to High Likely international participation due to sourcing, design licensing, and textile/print trade relevance
3. Audience Reach
Reach Level Assessment Explanation
Global Primary classification The event is positioned as an international sourcing and design marketplace with cross-border relevance for print studios, buyers, licensing teams, manufacturers, and retailers.
National Secondary description The U.S. remains a likely core demand center because of the concentration of retail, fashion, packaging, and publishing organizations.
4. Sample Buyer Companies and Websites
Buyer Company / Organization Buyer Type Why It Is Relevant Website Best Job Titles to Target Evidence Level
Macy's Retailer / private-label buyer Large-scale need for seasonal design, home, apparel, and packaging visuals macysinc.com Buyer, Design Director, Product Development Director, Packaging Manager Strong Market Fit, Attendance Not Confirmed
Target Retailer / owned-brand buyer Relevant across home, stationery, kids, gifting, and surface-design-heavy categories target.com Senior Buyer, Category Manager, Design Manager, Packaging Design Lead Strong Market Fit, Attendance Not Confirmed
Walmart Retailer / sourcing organization Significant private-label and packaging volume across apparel, home, and paper goods corporate.walmart.com Merchandising Director, Sourcing Manager, Packaging Graphics Manager Strong Market Fit, Attendance Not Confirmed
TJX Companies Retail buyer Relevant for trend-led home and apparel product development and sourcing tjx.com Buyer, Merchandise Manager, Product Development Manager Strong Market Fit, Attendance Not Confirmed
The Home Depot Retailer / home products buyer Relevant for home décor, seasonal products, packaging, and branding applications homedepot.com Category Merchant, Packaging Manager, Product Development Lead Strong Market Fit, Attendance Not Confirmed
Kohl's Retailer / private-label buyer Relevant in apparel, bedding, home, gifting, and print-based merchandising corporate.kohls.com Buyer, Design Director, Product Manager, Sourcing Manager Strong Market Fit, Attendance Not Confirmed
Hallmark Stationery / gifting / licensing buyer Highly relevant for graphic art, print, paper products, gift wrap, and licensing collaborations hallmark.com Creative Director, Licensing Manager, Product Development Manager Strong Market Fit, Attendance Not Confirmed
American Greetings Publishing / stationery buyer Relevant for card art, print collections, and licensed design sourcing americangreetings.com Art Director, Product Development Director, Licensing Director Strong Market Fit, Attendance Not Confirmed
Carter's Apparel brand / product development buyer Relevant for juvenile apparel prints, licensed artwork, and seasonal graphics carters.com Print Designer, Product Development Director, Sourcing Manager Strong Market Fit, Attendance Not Confirmed
Gap Inc. Apparel retailer / brand owner Relevant for print development across apparel, kids, and accessories gapinc.com Design Director, Fabric R&D Lead, Sourcing Director Strong Market Fit, Attendance Not Confirmed
Williams-Sonoma, Inc. Home retailer / product development buyer Relevant for home textiles, tabletop, seasonal décor, and packaging aesthetics williams-sonomainc.com Product Development Manager, Textile Design Director, Category Buyer Strong Market Fit, Attendance Not Confirmed
Newell Brands Consumer products / stationery and home buyer Relevant for packaging, branding, product graphics, and stationery-led design programs newellbrands.com Brand Manager, Packaging Director, Sourcing Manager Strong Market Fit, Attendance Not Confirmed
Sample companies above are prospecting targets with strong market fit for Printsource New York. They are not confirmed attendees for the 2026 edition unless officially listed by the organizer.
5. Job Profiles, Industries and Event Type
Priority Job Title / Function Department Seniority Level Why This Role Matters
1Design DirectorCreative / DesignDirectorApproves pattern direction, surface design, seasonal concepts, and artwork selection
2Product Development DirectorProduct DevelopmentDirectorConnects design sourcing to commercial product pipelines
3Buyer / Senior BuyerMerchandising / BuyingManager / DirectorControls assortment decisions and commercial selection of products or design programs
4Category ManagerMerchandisingManagerUseful where artwork affects product category refreshes and trend launches
5Sourcing ManagerProcurement / SourcingManagerScreens manufacturing and design supply partners
6Packaging Manager / Packaging Design DirectorPackagingManager / DirectorRelevant for branded graphics, repeat art, print-ready packaging visuals, and line extensions
7Licensing Manager / DirectorLicensing / PartnershipsManager / DirectorKey for rights-managed artwork and brand collaborations
8Brand ManagerMarketing / BrandManagerInfluences design direction, packaging consistency, and brand expression
9Merchandising DirectorMerchandisingDirectorLinks product trends to commercial in-store and seasonal programs
10Creative Manager / Art DirectorCreativeManager / DirectorImportant for art approval, visual adaptation, and campaign use cases
Priority Apollo Industry Why It Fits the Event Best Buyer Use Case
1Apparel & FashionStrong fit for prints, repeats, textile graphics, and trend-led collectionsPrint sourcing for apparel and accessories
2TextilesDirect relevance to fabric design, surface patterning, and convertersTextile artwork and fabric-ready print assets
3RetailRetailers use print and packaging graphics across private-label categoriesOwned-brand product design and seasonal merchandising
4Consumer GoodsBroad fit for packaging, surface graphics, and product brandingPackaging refresh and product-line visual differentiation
5Packaging & ContainersRelevant for print-ready packaging design and graphic sourcingPackaging art and production graphics
6PrintingCommercial printers and print-service firms may source designs or partner with studiosCommercial execution of print assets
7PublishingPublishing and paper-goods firms need visual assets and repeat artIllustration and print collections for books and stationery
8Import & ExportImporters and sourcing intermediaries often commercialize design and product opportunitiesGlobal sourcing and vendor consolidation
9WholesaleWholesalers need trend-right artwork for broad commercial distributionScaled resale and private-label supply
10DesignCreative agencies and studios may attend as buyers, partners, or specifiersCreative collaboration and outsourced artwork sourcing
11Luxury Goods & JewelryHigh-end packaging and visual identity often require premium print design inputsPremium packaging and limited-edition product graphics
12FurnitureHome brands use prints and patterns in soft furnishings and décor accessoriesHome textile and décor pattern sourcing
6. Estimated Attendance
Metric Figure Status Source / Basis Notes
Estimated total footfall Attendance figure not publicly confirmed by the organizer. Unconfirmed No current verified public attendance total available in provided data Event appears valuable for niche B2B sourcing quality rather than mass public volume
Exhibitor count Not publicly confirmed in provided details Unconfirmed Requires official exhibitor directory or prospectus Should be checked before list-building commitments
Buyer count Not publicly confirmed Unconfirmed No official buyer total available in provided data Buyer quality is likely high based on event format and positioning
Speaker count Not publicly confirmed Unconfirmed Agenda-dependent This event is primarily a sourcing marketplace, so speaker activity may be secondary
Sponsor count Not publicly confirmed Unconfirmed Requires current sponsor page Lower priority than buyer/exhibitor validation for this event
Historical attendance No verified historical total included here Historical / prior-year evidence not confirmed Requires official prior-year brochure or press release Do not use volume claims in sales material without organizer proof
7. Key Focus Areas and Buyer Engagement
Focus Area Typical Buyer Need Buyer Engagement Opportunity Relevant Supplier Offering
Print and surface design sourcing Fresh artwork, repeats, trend-led collections, exclusive patterns Portfolio meetings, line reviews, seasonal curation, exclusivity discussions Print studios, surface design libraries, commissioned art services
Textiles and fabric application Artwork that translates to apparel, bedding, upholstery, and soft goods Sampling, substrate matching, repeat adaptation, production-readiness review Textile design, print engineering, fabric conversion support
Packaging graphics Visual differentiation, seasonal packaging, line extensions Brand-guideline reviews, packaging mockups, commercial rollout planning Packaging design, print-ready artwork, label and carton graphics
Stationery and publishing graphics Artwork for cards, journals, planners, gift wrap, covers, and paper goods Collection licensing, seasonal planning, SKU development Illustration, repeat art, paper-goods collections, licensing catalogs
Licensing and partnerships Rights-managed artwork, exclusivity, collaboration-ready IP License negotiations, brand tie-ins, collection expansion Licensing services, rights management, brand collaborations
Private-label and retail merchandising Commercially scalable prints for owned-brand programs Merchandise planning, assortment differentiation, trend forecasting Retail design sourcing, print curation, private-label support
Lead Quality Assessment
Factor Assessment Explanation
Buyer relevanceVery HighThe event is narrowly aligned to sourcing, design selection, and commercial product development.
Decision-maker availabilityHighLikely attendance from buyers, directors, brand managers, and design leads rather than casual consumers.
Data collection potentialMediumUseful for account-based prospecting, but list scale may be narrower than mass-market trade shows.
Apollo targeting potentialVery HighClear industry, department, title, and geography filters exist for reaching similar buyer profiles.
Geographic targeting potentialHighNew York plus major U.S. retail and design hubs provide strong concentration for follow-up campaigns.
Best outreach approachHighUse trend relevance, licensing potential, speed-to-market, and commercialization outcomes in outreach.
Overall lead qualityHighBest for niche B2B creative sourcing and design-led product businesses.
Best use caseHighIdeal for attendee list building, buyer profiling, ABM outreach, licensing prospecting, and exhibitor targeting.
Limitations / risksMediumPublicly confirmed attendance volume and attendee names may be limited; event is specialized rather than broad-scale.
Apollo.io Targeting Recommendation
Filter Type Recommended Filters Purpose
Apollo industriesApparel & Fashion; Textiles; Retail; Consumer Goods; Packaging & Containers; Printing; Publishing; Import & Export; Wholesale; Design; FurnitureBuild a buyer universe aligned to design-driven sourcing demand
DepartmentsMerchandising, Buying, Product Development, Creative, Design, Packaging, Procurement, Sourcing, Brand, LicensingFocus on commercial decision-makers and specifiers
SeniorityManager, Senior Manager, Director, VP, Head, C-LevelReach both influencers and budget owners
Job titlesDesign Director, Product Development Director, Buyer, Senior Buyer, Category Manager, Sourcing Manager, Packaging Manager, Packaging Design Director, Licensing Manager, Brand Manager, Merchandising Director, Art Director, Textile DesignerPinpoint roles most likely to evaluate visual and print sourcing partners
GeographyUnited States first; prioritize New York, New Jersey, Connecticut, Massachusetts, Pennsylvania, California, North Carolina, Illinois, Minnesota, Georgia; secondary Canada and Western EuropeMirror likely attendee concentration and related buyer ecosystem
Employee size51–200, 201–500, 501–1,000, 1,001–5,000, 5,001+Capture both mid-market brands and enterprise retailers
Keywordssurface design, print studio, textile design, packaging graphics, private label, stationery, licensing, home textiles, trend, product development, consumer products, pattern designIdentify firms with direct adjacency to event themes
Revenue rangeUse open range; prioritize firms with visible product portfolios and repeat launchesAvoid excluding high-fit creative buyers with leaner corporate structures
Company typePublic companies, private companies, subsidiaries, brand houses, retailers, importers, wholesalersWiden coverage of both large and specialized buyers
Funding / public company filtersOptional; use public company filter for enterprise retail and brand targetsUseful for prioritizing structured buying organizations
Suggested Apollo Search Logic: ("Design Director" OR "Product Development Director" OR Buyer OR "Senior Buyer" OR "Category Manager" OR "Sourcing Manager" OR "Packaging Manager" OR "Licensing Manager" OR "Art Director") AND (retail OR apparel OR textiles OR stationery OR packaging OR publishing OR home OR consumer goods OR private label OR licensing OR surface design).
Client Fit Review Required
Please share the client website or product/service details. I will review the client offering and identify the highest-fit buyer companies, Apollo industries, seniority levels, departments, and job titles from this event.
Sources & Verification Notes
Source Type What It Verified Reliability
Printsource Official Website Official event website General event positioning, trade-market orientation, design and sourcing relevance High for event identity; current-edition details should still be checked page by page
User-provided event details Provided input Event title, city, state, country, and start/end dates High for scope of this report
Official exhibitor / attendee / sponsor / agenda materials Primary-source verification required Organizer-confirmed participant names, venue, numeric attendance, speaker counts, and current-year lists Not fully verified in this draft; should be checked before selling attendee-list claims
Practical note for lead generation: Printsource New York appears suitable for B2B attendee list building and buyer profiling when the objective is quality sourcing and design-led outreach rather than high-volume consumer lead capture. The strongest buyer categories are retail buying, product development, creative leadership, sourcing, packaging, licensing, and brand teams.

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