
Printsource New York
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About this event
Printsource New York
Event type: International print sourcing, design, textiles, packaging, publishing, stationery, home furnishings, apparel, and commercial print marketplace
Typical audience: Buyers, sourcing teams, designers, product developers, brand managers, print professionals, retailers, import/export teams, and manufacturing partners
Audience reach: Global, with strong concentration from the United States, Canada, Europe, Latin America, and Asia
Executive summary
Printsource New York is a strong sourcing and business-development event for companies involved in print design, surface design, textiles, stationery, packaging, brand graphics, and related creative production. It is not a broad consumer expo. It is a highly focused trade environment where buying intent is more important than raw footfall. The event attracts professionals looking for new artwork, print collections, licensing opportunities, production partners, and trend-driven creative assets that can be used across fashion, home, paper goods, publishing, and consumer products.
For attendee-list and buyer-list research, this event is especially valuable if your client sells anything connected to print, design, product development, manufacturing, sourcing, packaging, or retail merchandising. The most valuable contacts are usually not casual visitors; they are decision-makers who influence purchasing, sourcing, licensing, creative approvals, and vendor selection.
1️⃣ Who attends: Buyers / attendees
The attendee base is made up of trade buyers and sourcing professionals rather than general public visitors. This is what makes Printsource New York attractive for list buyers. The event tends to draw professionals who are actively searching for artwork, print collections, and production-ready design assets.
Main attendee groups:
- Textile and surface design buyers
- Apparel sourcing managers
- Home furnishings and décor product developers
- Stationery and gift product teams
- Packaging designers and brand managers
- Publishing art directors and production managers
- Licensing executives and creative directors
- Retail private-label development teams
- Import/export and international sourcing teams
- Printing, converting, and manufacturing vendor representatives
The best buyers are usually those responsible for deciding what artwork, patterns, prints, materials, or packaging visuals get selected for the next season or product cycle. These professionals may work for brands, design studios, mills, agencies, retailers, print houses, or sourcing firms.
2️⃣ Where the show is happening + attendee geographic origin
Printsource New York is held in New York City, which is a major advantage because the city naturally attracts international design, fashion, media, and sourcing professionals. New York also functions as a commercial hub for the U.S. East Coast, making it easy for domestic and international attendees to travel in for short sourcing trips.
Best geographic interpretation:
- Primary location: New York City, New York, USA
- Attendee origin: Mainly U.S. East Coast and national buyers, plus a meaningful international sourcing audience
- International presence: Strong due to global print, textile, and design supply chains
- Likely visitor origin mix: United States, Canada, United Kingdom, Italy, France, India, China, Japan, Turkey, Mexico, and other sourcing markets
Because New York is already a global business city, the attendee pool can include both local showroom visitors and fly-in decision-makers from major brands, agencies, and production houses. That makes this event useful for companies trying to reach both domestic and international buyers in one place.
3️⃣ Audience reach: Local / National / Global
Audience reach: Global with strong national impact
This event is best described as global because the product categories served by the show are embedded in international sourcing networks. The show is not limited to local New York buyers. It attracts brands and sourcing teams that operate across borders and often work with overseas suppliers, design libraries, and product development teams.
At the same time, the show has strong national relevance because New York remains one of the biggest commercial centers in the U.S. for apparel, home décor, publishing, and creative services. Many U.S.-based buyers use the event to find new design resources without traveling overseas.
4️⃣ Sample buyer company names + websites
Below is a sample buyer list you can use as a research starting point. These are buyer-side companies or buyer-relevant accounts that are likely to have interest in print design, textiles, packaging, licensing, creative development, publishing, retail, or branded products.
| Priority | Company | Website | Best Title to Target | Why This is a Good Buyer Fit |
|---|---|---|---|---|
| 1 | Macy’s | macys.com | Print Sourcing Manager / Product Development Manager / Soft Home Buyer | Large retail buyer with demand for seasonal prints, home products, gifting, and private-label development. |
| 2 | Target | target.com | Design Director / Sourcing Manager / Packaging Development Manager | Strong retail buyer for home, stationery, lifestyle, and branded merchandise with frequent print-driven collections. |
| 3 | Walmart | walmart.com | Private Brand Product Developer / Packaging Manager / Category Manager | High-volume buyer for consumer goods, packaging, and printed product design across multiple categories. |
| 4 | Williams-Sonoma | williams-sonoma.com | Product Development Manager / Surface Design Manager / Creative Director | Strong fit for home furnishings, kitchen, and lifestyle products that rely on premium design and print aesthetics. |
| 5 | Pottery Barn | potterybarn.com | Textile Buyer / Print Designer / Merchandising Manager | Home décor and soft goods business with heavy use of pattern, texture, and seasonal print collections. |
| 6 | H&M | hm.com | Apparel Sourcing Manager / Print Designer / Product Developer | Fast-fashion buyer with continuous demand for trend-led prints, artwork, and global sourcing. |
| 7 | Gap Inc. | gapinc.com | Brand Product Developer / Textile Designer / Sourcing Manager | Apparel group that needs seasonal prints, surface graphics, and vendor partnerships across multiple brands. |
| 8 | Ralph Lauren | ralphlauren.com | Design Director / Textile Developer / Licensing Manager | Premium brand with strong need for prints, heritage graphics, lifestyle collections, and creative sourcing. |
| 9 | Anthropologie | anthropologie.com | Home Buyer / Print Designer / Product Development Lead | Design-heavy retail brand with high demand for unique artwork, surface prints, and boutique-style product narratives. |
| 10 | Hallmark | hallmark.com | Creative Director / Stationery Buyer / Product Development Manager | Excellent fit for greeting cards, stationery, gift packaging, and decorative print assets. |
| 11 | American Greetings | americangreetings.com | Art Director / Licensing Manager / Product Development Manager | Heavy buyer of artwork, illustrations, print styles, and licensed creative content. |
| 12 | Crane | crane.com | Stationery Director / Creative Lead / Brand Manager | Premium paper goods and stationery brand with ongoing need for elegant print and paper design. |
| 13 | Simon & Schuster | simonandschuster.com | Book Production Manager / Art Director / Cover Design Director | Publishing buyer that depends on artwork, cover design, prepress, and visual production support. |
| 14 | Penguin Random House | penguinrandomhouse.com | Art Director / Production Designer / Editorial Production Manager | Large publishing organization with regular demand for visual assets and print production expertise. |
| 15 | Shutterfly | shutterfly.com | Creative Operations Manager / Product Design Manager / Print Production Lead | Personalized print and photo products business with strong dependence on digital print workflows and design input. |
| 16 | Minted | minted.com | Creative Partnerships Manager / Product Development Manager / Design Curator | Design-led business focused on print creativity, stationery, wedding products, and artist-driven collections. |
| 17 | Crate & Barrel | crateandbarrel.com | Home Furnishings Buyer / Textile Developer / Merchandising Manager | Home brand that values pattern development, print-driven décor, and supplier relationships. |
| 18 | West Elm | westelm.com | Design Manager / Soft Goods Buyer / Surface Pattern Developer | Strong lifestyle and home décor buyer with continued demand for fresh print concepts and seasonal collections. |
Top 5 buyer companies to start with: Macy’s, Target, Williams-Sonoma, Hallmark, and Penguin Random House. These give you a good spread across retail, home goods, stationery, and publishing, which are all highly relevant to this show.
5️⃣ Job profiles, industries & event type
The strongest job profiles are the people who control sourcing, collection development, creative approval, or vendor selection. For attendee-list selling, these are the names that matter most.
Best job profiles to target:
- Product Development Manager
- Design Director
- Creative Director
- Art Director
- Print Sourcing Manager
- Textile Designer
- Surface Pattern Designer
- Packaging Manager
- Brand Manager
- Merchandising Manager
- Category Manager
- Apparel Sourcing Manager
- Home Furnishings Buyer
- Stationery Buyer
- Publishing Production Manager
- Licensing Manager
- Creative Operations Manager
- Private Label Development Lead
- Print Production Manager
- Vendor Relations Manager
Best industry filters to use:
- Apparel & Fashion
- Design
- Publishing
- Printing
- Graphic Design
- Marketing & Advertising
- Retail
- Consumer Goods
- Luxury Goods & Jewelry
- Textiles
- Furniture
- Home Furnishings
- Media Production
- Online Media
- Packaging & Containers
- Import & Export
- Wholesale
- International Trade & Development
- E-Commerce and Direct-to-Consumer brands, where applicable through company keywords
The event type is best categorized as a trade sourcing and design business event. It is not about general conference education or keynote-heavy networking alone. The core value is commercial discovery: meeting suppliers, finding artwork, reviewing collections, and sourcing design solutions.
6️⃣ Estimated attendance / expected footfall
Estimated attendance: Moderate to strong B2B footfall, with a targeted quality-over-quantity profile
Printsource New York is typically not a mass-scale consumer event, so the attendance numbers are usually lower than giant expos but significantly more valuable in terms of buyer relevance. The event’s strength is its concentration of trade professionals. Even when the total footfall is not massive, the percentage of decision-makers is often high.
Practical expectation: A few hundred to a few thousand trade visitors depending on edition, format, and market conditions. The exact attendance should be validated from the current event organizer’s published figures or show materials before quoting it to a client.
From a list-selling perspective, the more important metric is not just total people, but how many of them are true buyers, sourcing managers, creative approvers, and account decision-makers.
7️⃣ Key focus areas & buyer engagement
Printsource New York is built around discovery and sourcing. Buyers attend to see new work, compare suppliers, identify fresh design directions, and build a pipeline of creative assets and vendors for upcoming seasons.
Key focus areas:
- Print and surface design
- Textile and pattern sourcing
- Apparel and fashion print development
- Home décor and soft goods collections
- Stationery, paper, and gifting products
- Packaging graphics and brand visuals
- Licensing and artwork acquisition
- Commercial print services and production support
- International vendor relationships
- Seasonal trend forecasting and creative inspiration
Buyer engagement angle:
The best outreach strategy is to position the attendee list as a sourcing and design buyer database, not just as a list of show visitors. Buyers at this event care about creative quality, production reliability, speed to market, and originality. If your client’s offer supports product design, sourcing, packaging, or print production, this event can be a very strong fit.
Good engagement messages should emphasize:
- New print collections and trend-ready artwork
- Fast turnaround for seasonal product cycles
- Custom design, licensing, and private-label support
- High-quality sourcing for fashion, home, and gifting categories
- Reliable production, color consistency, and creative collaboration
8️⃣ Client product review request
To recommend the best buyers for your client with precision, please share your client website first. The right target list depends heavily on what your client sells.
For example:
- If the client sells printing equipment, the best buyers will be print houses, production managers, and manufacturing teams.
- If the client sells design services, the best buyers will be art directors, brand teams, and creative operations leaders.
- If the client sells packaging, the best buyers will be product developers, packaging managers, and brand sourcing teams.
- If the client sells textiles or surface design, the best buyers will be apparel, home, and décor sourcing managers.
- If the client sells software or digital workflow tools, the best buyers will be production managers, studio leaders, and creative operations teams.
Once you share the website, I can review the offer and narrow this down to the highest-probability buyer companies, exact job titles, and the strongest industry filters to use.
9️⃣ Best industry suggestion based on the industry list you provided
Based on the event profile, the most relevant industry selections from your list are:
- Design
- Apparel & Fashion
- Publishing
- Printing
- Graphic Design
- Retail
- Marketing & Advertising
- Textiles
- Furniture
- Packaging & Containers
- Wholesale
- Import & Export
- Consumer Goods
- Luxury Goods & Jewelry
- Media Production
If your goal is attendee-list marketing and buyer targeting, the strongest combinations are usually Design + Apparel & Fashion, Publishing + Printing, and Retail + Packaging & Containers. Those combinations usually produce the most relevant decision-makers for this show.
Final recommendation
Printsource New York is a high-value event for companies that sell into creative sourcing, design development, print production, textiles, retail merchandise, stationery, and packaging. It is especially useful for database sales when the client wants qualified buyers rather than broad attendance.
Best buyer segments to collect:
- Creative directors and art directors
- Product development managers
- Print sourcing and textile sourcing managers
- Apparel and home goods buyers
- Packaging and brand managers
- Licensing and merchandising teams
- Publishing production and design teams
- Retail private-label and sourcing teams
Quality rating for attendee-list sales: 8.5/10
The event is highly relevant for targeted business outreach because the audience is commercial, design-led, and sourcing-oriented. The main limitation is that it may not be a huge-footfall event, but the buyer quality is likely stronger than many larger general trade shows.
If you share your client website, I can turn this into a sharper buyer list and tell you exactly which companies, job titles, and industries should be prioritized for this event.
Data sheet
| Event Name | Printsource New York |
| Event Date | July 29–31, 2026 |
| Event Status | Upcoming |
| Venue | New York City venue not confirmed in the provided event details. City-level location confirmed. |
| City | New York City |
| State / Region | New York |
| Country | United States |
| Organizer | Organizer name requires current-edition confirmation from official event materials. |
| Official Event Website | theprintsource.com |
| Event Type | International print sourcing, design, textiles, packaging, publishing, stationery, home furnishings, apparel, and commercial print marketplace |
| Primary Category | Apparel & Clothing |
| Secondary Applicable Categories | Packing & Packaging; Home & Office; Business Services |
| Audience Reach | Global, with strong U.S. and international sourcing relevance |
| Estimated Attendance / Expected Footfall | Attendance figure not publicly confirmed by the organizer. |
| Attendance Data Reliability | Low for current-year numeric counts; strong qualitative evidence for trade-buyer relevance |
| Main Purpose of Event | To connect print studios, textile and surface designers, licensing partners, manufacturers, and commercial buyers seeking artwork, patterns, print collections, packaging graphics, and design-led sourcing opportunities. |
Printsource New York is a specialized B2B marketplace focused on print, pattern, surface design, textiles, stationery, packaging graphics, and related creative applications across fashion, home, paper goods, publishing, and consumer products. It operates as a sourcing-led trade environment rather than a consumer expo, making the quality of buyer intent more important than broad public footfall.
The event matters because it brings together design supply and commercial demand in one setting: brands, retailers, product developers, licensing teams, sourcing managers, and creative decision-makers can review artwork, evaluate design trends, identify production partners, and discuss commercial usage rights. For lead generation, the strongest value is access to buying and approval-side professionals involved in design sourcing, merchandising, packaging, product development, and vendor selection.
| Buyer / Attendee Segment | Typical Organizations | Buying Role or Influence | Relevance to Exhibitors / Suppliers |
|---|---|---|---|
| Retail buyers and merchandising teams | Department stores, specialty retailers, stationery retailers, home décor chains, gift retailers | Select product assortments, review trend direction, approve sourced design programs | High-value audience for print collections, seasonal artwork, packaging graphics, and licensed designs |
| Brand managers and product development teams | Consumer brands in apparel, accessories, home, beauty, paper goods, and lifestyle products | Influence artwork selection, product launches, packaging direction, and commercialization | Core targets for design, trend, packaging, and print adaptation services |
| Sourcing and procurement teams | Importers, wholesalers, private-label operators, manufacturers, global sourcing offices | Evaluate external design partners, print vendors, fabric suppliers, and commercial production options | Important for vendor onboarding, cost review, and supply-side qualification |
| Design directors and creative teams | Fashion labels, home brands, publishers, packaging groups, licensing businesses | Specify aesthetics, trend themes, art direction, and artwork usability | High influence even when not final budget holders |
| Licensing and partnership teams | Consumer brands, entertainment properties, art licensors, publishing groups | Review licensable prints, IP usage, collaborations, and co-branded creative programs | Strong fit for pattern libraries, licensing catalogs, and rights-managed artwork |
| Import/export and wholesale teams | Importers, distributors, trading houses, sourcing intermediaries | Search for commercially scalable designs and repeatable production partnerships | Useful for converting design demand into larger-volume orders |
| Publishing and stationery decision-makers | Greeting card companies, publishers, planners, notebooks, paper products brands | Source artwork and graphics for print-led product lines | High fit for surface design, repeat patterns, graphic collections, and packaging visuals |
| Manufacturing and production partners | Textile converters, commercial printers, packaging manufacturers, home textile suppliers | Assess print-ready assets and production partnerships | Relevant where suppliers offer production services in addition to design |
| Geographic Area | Likely Attendee Origin | Buyer Concentration | Notes |
|---|---|---|---|
| Host city: New York City | Local design, fashion, publishing, licensing, and home product buyers | Very High | NYC is a major hub for fashion, branding, publishing, stationery, licensing, and retail headquarters |
| Host state / region: New York and Tri-State area | Buyers from New York, New Jersey, and Connecticut | High | Strong concentration of retailers, showrooms, converters, importers, and design agencies |
| Nearby business hubs | Boston, Philadelphia, Washington DC corridor, North Carolina textile market, Los Angeles design and apparel market | Medium to High | Likely draw for sourcing and trend-oriented buyers willing to travel for design discovery |
| National reach | U.S. retailers, consumer brands, textile buyers, product developers, paper goods and packaging teams | High | Strong relevance for buyers looking for trend-led design assets and commercial print applications |
| International reach | Canada, Europe, Latin America, and Asia | Medium to High | Likely international participation due to sourcing, design licensing, and textile/print trade relevance |
| Reach Level | Assessment | Explanation |
|---|---|---|
| Global | Primary classification | The event is positioned as an international sourcing and design marketplace with cross-border relevance for print studios, buyers, licensing teams, manufacturers, and retailers. |
| National | Secondary description | The U.S. remains a likely core demand center because of the concentration of retail, fashion, packaging, and publishing organizations. |
| Buyer Company / Organization | Buyer Type | Why It Is Relevant | Website | Best Job Titles to Target | Evidence Level |
|---|---|---|---|---|---|
| Macy's | Retailer / private-label buyer | Large-scale need for seasonal design, home, apparel, and packaging visuals | macysinc.com | Buyer, Design Director, Product Development Director, Packaging Manager | Strong Market Fit, Attendance Not Confirmed |
| Target | Retailer / owned-brand buyer | Relevant across home, stationery, kids, gifting, and surface-design-heavy categories | target.com | Senior Buyer, Category Manager, Design Manager, Packaging Design Lead | Strong Market Fit, Attendance Not Confirmed |
| Walmart | Retailer / sourcing organization | Significant private-label and packaging volume across apparel, home, and paper goods | corporate.walmart.com | Merchandising Director, Sourcing Manager, Packaging Graphics Manager | Strong Market Fit, Attendance Not Confirmed |
| TJX Companies | Retail buyer | Relevant for trend-led home and apparel product development and sourcing | tjx.com | Buyer, Merchandise Manager, Product Development Manager | Strong Market Fit, Attendance Not Confirmed |
| The Home Depot | Retailer / home products buyer | Relevant for home décor, seasonal products, packaging, and branding applications | homedepot.com | Category Merchant, Packaging Manager, Product Development Lead | Strong Market Fit, Attendance Not Confirmed |
| Kohl's | Retailer / private-label buyer | Relevant in apparel, bedding, home, gifting, and print-based merchandising | corporate.kohls.com | Buyer, Design Director, Product Manager, Sourcing Manager | Strong Market Fit, Attendance Not Confirmed |
| Hallmark | Stationery / gifting / licensing buyer | Highly relevant for graphic art, print, paper products, gift wrap, and licensing collaborations | hallmark.com | Creative Director, Licensing Manager, Product Development Manager | Strong Market Fit, Attendance Not Confirmed |
| American Greetings | Publishing / stationery buyer | Relevant for card art, print collections, and licensed design sourcing | americangreetings.com | Art Director, Product Development Director, Licensing Director | Strong Market Fit, Attendance Not Confirmed |
| Carter's | Apparel brand / product development buyer | Relevant for juvenile apparel prints, licensed artwork, and seasonal graphics | carters.com | Print Designer, Product Development Director, Sourcing Manager | Strong Market Fit, Attendance Not Confirmed |
| Gap Inc. | Apparel retailer / brand owner | Relevant for print development across apparel, kids, and accessories | gapinc.com | Design Director, Fabric R&D Lead, Sourcing Director | Strong Market Fit, Attendance Not Confirmed |
| Williams-Sonoma, Inc. | Home retailer / product development buyer | Relevant for home textiles, tabletop, seasonal décor, and packaging aesthetics | williams-sonomainc.com | Product Development Manager, Textile Design Director, Category Buyer | Strong Market Fit, Attendance Not Confirmed |
| Newell Brands | Consumer products / stationery and home buyer | Relevant for packaging, branding, product graphics, and stationery-led design programs | newellbrands.com | Brand Manager, Packaging Director, Sourcing Manager | Strong Market Fit, Attendance Not Confirmed |
| Priority | Job Title / Function | Department | Seniority Level | Why This Role Matters |
|---|---|---|---|---|
| 1 | Design Director | Creative / Design | Director | Approves pattern direction, surface design, seasonal concepts, and artwork selection |
| 2 | Product Development Director | Product Development | Director | Connects design sourcing to commercial product pipelines |
| 3 | Buyer / Senior Buyer | Merchandising / Buying | Manager / Director | Controls assortment decisions and commercial selection of products or design programs |
| 4 | Category Manager | Merchandising | Manager | Useful where artwork affects product category refreshes and trend launches |
| 5 | Sourcing Manager | Procurement / Sourcing | Manager | Screens manufacturing and design supply partners |
| 6 | Packaging Manager / Packaging Design Director | Packaging | Manager / Director | Relevant for branded graphics, repeat art, print-ready packaging visuals, and line extensions |
| 7 | Licensing Manager / Director | Licensing / Partnerships | Manager / Director | Key for rights-managed artwork and brand collaborations |
| 8 | Brand Manager | Marketing / Brand | Manager | Influences design direction, packaging consistency, and brand expression |
| 9 | Merchandising Director | Merchandising | Director | Links product trends to commercial in-store and seasonal programs |
| 10 | Creative Manager / Art Director | Creative | Manager / Director | Important for art approval, visual adaptation, and campaign use cases |
| Priority | Apollo Industry | Why It Fits the Event | Best Buyer Use Case |
|---|---|---|---|
| 1 | Apparel & Fashion | Strong fit for prints, repeats, textile graphics, and trend-led collections | Print sourcing for apparel and accessories |
| 2 | Textiles | Direct relevance to fabric design, surface patterning, and converters | Textile artwork and fabric-ready print assets |
| 3 | Retail | Retailers use print and packaging graphics across private-label categories | Owned-brand product design and seasonal merchandising |
| 4 | Consumer Goods | Broad fit for packaging, surface graphics, and product branding | Packaging refresh and product-line visual differentiation |
| 5 | Packaging & Containers | Relevant for print-ready packaging design and graphic sourcing | Packaging art and production graphics |
| 6 | Printing | Commercial printers and print-service firms may source designs or partner with studios | Commercial execution of print assets |
| 7 | Publishing | Publishing and paper-goods firms need visual assets and repeat art | Illustration and print collections for books and stationery |
| 8 | Import & Export | Importers and sourcing intermediaries often commercialize design and product opportunities | Global sourcing and vendor consolidation |
| 9 | Wholesale | Wholesalers need trend-right artwork for broad commercial distribution | Scaled resale and private-label supply |
| 10 | Design | Creative agencies and studios may attend as buyers, partners, or specifiers | Creative collaboration and outsourced artwork sourcing |
| 11 | Luxury Goods & Jewelry | High-end packaging and visual identity often require premium print design inputs | Premium packaging and limited-edition product graphics |
| 12 | Furniture | Home brands use prints and patterns in soft furnishings and décor accessories | Home textile and décor pattern sourcing |
| Metric | Figure | Status | Source / Basis | Notes |
|---|---|---|---|---|
| Estimated total footfall | Attendance figure not publicly confirmed by the organizer. | Unconfirmed | No current verified public attendance total available in provided data | Event appears valuable for niche B2B sourcing quality rather than mass public volume |
| Exhibitor count | Not publicly confirmed in provided details | Unconfirmed | Requires official exhibitor directory or prospectus | Should be checked before list-building commitments |
| Buyer count | Not publicly confirmed | Unconfirmed | No official buyer total available in provided data | Buyer quality is likely high based on event format and positioning |
| Speaker count | Not publicly confirmed | Unconfirmed | Agenda-dependent | This event is primarily a sourcing marketplace, so speaker activity may be secondary |
| Sponsor count | Not publicly confirmed | Unconfirmed | Requires current sponsor page | Lower priority than buyer/exhibitor validation for this event |
| Historical attendance | No verified historical total included here | Historical / prior-year evidence not confirmed | Requires official prior-year brochure or press release | Do not use volume claims in sales material without organizer proof |
| Focus Area | Typical Buyer Need | Buyer Engagement Opportunity | Relevant Supplier Offering |
|---|---|---|---|
| Print and surface design sourcing | Fresh artwork, repeats, trend-led collections, exclusive patterns | Portfolio meetings, line reviews, seasonal curation, exclusivity discussions | Print studios, surface design libraries, commissioned art services |
| Textiles and fabric application | Artwork that translates to apparel, bedding, upholstery, and soft goods | Sampling, substrate matching, repeat adaptation, production-readiness review | Textile design, print engineering, fabric conversion support |
| Packaging graphics | Visual differentiation, seasonal packaging, line extensions | Brand-guideline reviews, packaging mockups, commercial rollout planning | Packaging design, print-ready artwork, label and carton graphics |
| Stationery and publishing graphics | Artwork for cards, journals, planners, gift wrap, covers, and paper goods | Collection licensing, seasonal planning, SKU development | Illustration, repeat art, paper-goods collections, licensing catalogs |
| Licensing and partnerships | Rights-managed artwork, exclusivity, collaboration-ready IP | License negotiations, brand tie-ins, collection expansion | Licensing services, rights management, brand collaborations |
| Private-label and retail merchandising | Commercially scalable prints for owned-brand programs | Merchandise planning, assortment differentiation, trend forecasting | Retail design sourcing, print curation, private-label support |
| Factor | Assessment | Explanation |
|---|---|---|
| Buyer relevance | Very High | The event is narrowly aligned to sourcing, design selection, and commercial product development. |
| Decision-maker availability | High | Likely attendance from buyers, directors, brand managers, and design leads rather than casual consumers. |
| Data collection potential | Medium | Useful for account-based prospecting, but list scale may be narrower than mass-market trade shows. |
| Apollo targeting potential | Very High | Clear industry, department, title, and geography filters exist for reaching similar buyer profiles. |
| Geographic targeting potential | High | New York plus major U.S. retail and design hubs provide strong concentration for follow-up campaigns. |
| Best outreach approach | High | Use trend relevance, licensing potential, speed-to-market, and commercialization outcomes in outreach. |
| Overall lead quality | High | Best for niche B2B creative sourcing and design-led product businesses. |
| Best use case | High | Ideal for attendee list building, buyer profiling, ABM outreach, licensing prospecting, and exhibitor targeting. |
| Limitations / risks | Medium | Publicly confirmed attendance volume and attendee names may be limited; event is specialized rather than broad-scale. |
| Filter Type | Recommended Filters | Purpose |
|---|---|---|
| Apollo industries | Apparel & Fashion; Textiles; Retail; Consumer Goods; Packaging & Containers; Printing; Publishing; Import & Export; Wholesale; Design; Furniture | Build a buyer universe aligned to design-driven sourcing demand |
| Departments | Merchandising, Buying, Product Development, Creative, Design, Packaging, Procurement, Sourcing, Brand, Licensing | Focus on commercial decision-makers and specifiers |
| Seniority | Manager, Senior Manager, Director, VP, Head, C-Level | Reach both influencers and budget owners |
| Job titles | Design Director, Product Development Director, Buyer, Senior Buyer, Category Manager, Sourcing Manager, Packaging Manager, Packaging Design Director, Licensing Manager, Brand Manager, Merchandising Director, Art Director, Textile Designer | Pinpoint roles most likely to evaluate visual and print sourcing partners |
| Geography | United States first; prioritize New York, New Jersey, Connecticut, Massachusetts, Pennsylvania, California, North Carolina, Illinois, Minnesota, Georgia; secondary Canada and Western Europe | Mirror likely attendee concentration and related buyer ecosystem |
| Employee size | 51–200, 201–500, 501–1,000, 1,001–5,000, 5,001+ | Capture both mid-market brands and enterprise retailers |
| Keywords | surface design, print studio, textile design, packaging graphics, private label, stationery, licensing, home textiles, trend, product development, consumer products, pattern design | Identify firms with direct adjacency to event themes |
| Revenue range | Use open range; prioritize firms with visible product portfolios and repeat launches | Avoid excluding high-fit creative buyers with leaner corporate structures |
| Company type | Public companies, private companies, subsidiaries, brand houses, retailers, importers, wholesalers | Widen coverage of both large and specialized buyers |
| Funding / public company filters | Optional; use public company filter for enterprise retail and brand targets | Useful for prioritizing structured buying organizations |
| Source | Type | What It Verified | Reliability |
|---|---|---|---|
| Printsource Official Website | Official event website | General event positioning, trade-market orientation, design and sourcing relevance | High for event identity; current-edition details should still be checked page by page |
| User-provided event details | Provided input | Event title, city, state, country, and start/end dates | High for scope of this report |
| Official exhibitor / attendee / sponsor / agenda materials | Primary-source verification required | Organizer-confirmed participant names, venue, numeric attendance, speaker counts, and current-year lists | Not fully verified in this draft; should be checked before selling attendee-list claims |
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