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About this event
PLASA Show 2026
Event type: Professional audio, lighting, AV, staging, production technology, live events, entertainment technology, installation, rental and production services
Typical venue: London, United Kingdom
Audience profile: Industry buyers, distributors, rental companies, integrators, venue operators, production houses, technical directors, system designers, consultants, installers, manufacturers, and event technology decision-makers
Estimated attendance: Usually a focused B2B trade audience with several thousand attendees, including a strong mix of UK and international buyers
1️⃣ Who attends: Buyers / Attendees
PLASA Show is a specialized B2B event for the live entertainment technology ecosystem. The buyers are not general consumers. The most valuable attendees are people who influence purchasing for audio systems, stage lighting, rigging, control systems, LED displays, networking, production equipment, installation services, and venue technology.
The event attracts a mix of commercial buyers and technical influencers. On the buying side, you typically see rental company owners, heads of production, technical managers, lighting designers, sound engineers, integration consultants, venue technical teams, and procurement teams from theaters, arenas, houses of worship, studios, schools, and event production agencies.
It is also attractive to manufacturers and brands that want to meet distributors, dealers, resellers, and systems integrators. So the buyer list is usually strongest when it focuses on companies that actually purchase, specify, recommend, rent, install, or resell professional equipment.
2️⃣ Where the show is happening + attendee geographic origin
PLASA Show is typically held in London, United Kingdom, which makes it highly accessible for the UK market and very convenient for European buyers as well. London is one of the strongest global hubs for live events, touring, theater, broadcast production, and venue technology, so the location itself helps attract serious commercial decision-makers.
Attendee geographic origin: predominantly United Kingdom, with strong participation from Europe and selected global visitors from the Middle East, North America, Asia-Pacific, and other regions. Because this industry is highly networked and specification-led, many attendees travel in specifically to source products, compare suppliers, and meet new manufacturers.
Best geographic targeting: UK nationwide, London and Greater London, Ireland, Western Europe, Nordics, GCC / Middle East production markets, and international touring or rental groups.
3️⃣ Audience reach
Reach type: National and international
This event has a strong UK core audience, but it also functions as a regional gateway into Europe and the wider international live entertainment supply chain. That means it is not just a local show. It is a buyer meeting point for a broader market that includes distributors, consultants, project specifiers, production buyers, and technology evaluators.
For list-building purposes, this is a high-value event because the audience is concentrated, specialized, and commercially relevant. Even if the total footfall is smaller than mass consumer exhibitions, the quality of buyers is usually much stronger.
4️⃣ Sample buyer company names + websites
Below are sample buyer-side companies that are likely to be relevant for PLASA Show 2026. These are not random names; they are the types of organizations that buy, specify, rent, integrate, distribute, or recommend live production and AV equipment.
| Priority | Company | Website | Best Title to Target | Why This is a Good Buyer Fit |
|---|---|---|---|---|
| 1 | Production Resource Group | prg.com | Head of Procurement / Technical Director / VP of Production | Major rental and production services company; strong buyer of lighting, rigging, staging, and control systems. |
| 2 | Solotech | solotech.com | Operations Director / System Integration Manager / Purchasing Manager | Global AV and production solutions provider; good fit for live events, installations, and systems purchases. |
| 3 | CT (Creative Technology) | ct-group.com | Technical Director / Head of Projects / Procurement Lead | High-end event technology and LED / AV integration buyer with strong spec and rental needs. |
| 4 | NEP Group | nepgroup.com | Director of Engineering / Technical Operations Manager | Large media services company with demand for broadcast and live event technology. |
| 5 | AV Stumpfl | avstumpfl.com | Sales Director / Product Manager / Channel Partner Manager | Relevant for projection, display, and event technology ecosystem buying and partnerships. |
| 6 | Adlib | adlib.co.uk | Managing Director / Head of Production / Hire Manager | Production and hire specialist; likely buyer of pro audio, lighting, and staging equipment. |
| 7 | Turner Audio | turneraudio.com | Technical Manager / Sales Director / Project Manager | Strong fit for installed audio and live sound solutions. |
| 8 | White Light | white-light.com | Lighting Director / Rental Manager / Technical Sales Manager | Well aligned with stage lighting, theatre, touring, and event production buyers. |
| 9 | Ciaran Productions | ciaranproductions.com | Founder / Production Manager / Equipment Buyer | Event production companies need a steady flow of audio, lighting, rigging, and control products. |
| 10 | MAD Studio | madstudio.co.uk | Studio Manager / Technical Lead / Purchasing Manager | Useful for broadcast, studio, and content production buyers. |
| 11 | London Theatre Company | londontheatre.co.uk | Technical Manager / Production Manager / Venue Operations Director | Theatre buyers influence lighting, sound, stage machinery, and control purchases. |
| 12 | Abbey Road Studios | abbeyroad.com | Studio Technical Manager / Head of Facilities / Equipment Manager | High-end audio and studio technology buyer with strong brand relevance. |
| 13 | Sky | sky.com | Broadcast Engineering Manager / Technical Procurement Lead | Broadcaster with ongoing AV, production, and studio technology requirements. |
| 14 | BBC | bbc.co.uk | Broadcast Technology Manager / Production Systems Lead | Large-scale buyer and specifier of professional media and production technology. |
| 15 | The O2 | theo2.co.uk | Venue Technical Manager / Head of Operations | Major venue operator with recurring needs for audio, lighting, staging, and event tech. |
| 16 | Live Nation | livenation.com | Production Director / Touring Operations Manager | Major live entertainment buyer with touring and event production purchasing power. |
| 17 | AEG Europe | aegworldwide.com | Venue Operations Director / Technical Services Manager | Strong buyer for venue technology, large-format production, and event services. |
| 18 | Riedel Communications | riedel.net | Business Development Manager / Product Specialist / Channel Manager | Relevant for comms, intercom, and networked production workflow buyers and partners. |
| 19 | Shure | shure.com | Market Development Manager / Sales Director / Education & Training Lead | Strong professional audio brand with channel, education, and buyer ecosystem relevance. |
| 20 | Yamaha Music Europe | yamaha.com | Pro Audio Sales Manager / Channel Marketing Manager | Pro audio and live sound ecosystem buyer and relationship target. |
Top 5 sample accounts to send first: Production Resource Group, Solotech, Creative Technology, NEP Group, and White Light.
5️⃣ Job profiles, industries & event type
The best targeting strategy for this event is to focus on decision-makers and influencers who are close to purchasing or specifying equipment. In this sector, one buyer can influence a large annual spend across systems, rentals, upgrades, maintenance, and replacement cycles.
Best job titles to target:
- Managing Director
- Owner / Founder
- Procurement Manager
- Purchasing Manager
- Technical Director
- Head of Production
- Production Manager
- Operations Director
- Venue Technical Manager
- Broadcast Engineering Manager
- System Integration Manager
- Lighting Designer
- Audio Director / Sound Engineer
- Rental Manager
- Project Manager
- Sales Director
- Channel Manager
- Product Manager
- Consultant
- Specification Manager
Best industry filters to use:
- Events Services
- Entertainment
- Media Production
- Motion Pictures & Film
- Broadcast Media
- Performing Arts
- Leisure, Travel & Tourism
- Information Technology & Services
- Computer Software
- Design
- Electrical/Electronic Manufacturing
- Consumer Electronics
- Construction
- Architecture & Planning
- Facilities Services
- Education Management
- Higher Education
- Professional Training & Coaching
- Telecommunications
- Wholesale
- Import & Export
6️⃣ Estimated attendance / expected footfall
PLASA Show is usually a focused trade audience rather than a massive public expo. The expected footfall is generally in the several-thousand range, with strong concentration of high-intent professional visitors. Exact attendance can vary by year, venue, and exhibition scale, but the important point is that the crowd is highly qualified.
Expected total footfall: several thousand attendees, including buyers, specifiers, integrators, rental professionals, venue teams, and manufacturers.
For list-selling, this is valuable because a smaller, specialized crowd often converts better than a larger general audience. In this market, quality is more important than raw volume.
7️⃣ Key focus areas & buyer engagement
Key focus areas typically include:
- Professional audio
- Lighting design and fixtures
- Stage rigging and truss systems
- Video, LED, projection, and display technology
- Control systems and media networking
- Live event production technology
- Venue infrastructure and installation
- Broadcast and studio workflow tools
- Rental, hire, and production services
- Technical training, certification, and workflow innovation
Buyer engagement angle: The best outreach is based on product category and usage scenario. For example, a lighting manufacturer should target lighting rental houses, venue operators, and system integrators. An audio brand should target sound contractors, theatres, broadcasters, and production companies. A software or control platform should target technical directors, engineering leads, and consultants.
The buyer conversation should be framed around solving operational challenges such as reliability, workflow speed, show control, system compatibility, tour readiness, install support, and total cost of ownership.
8️⃣ Client-product fit note
To give you the best buyer recommendations, I need your client website first. That will help me determine whether the strongest target accounts are rental companies, venue operators, broadcasters, integrators, distributors, consultants, or manufacturers.
The ideal buyer list changes a lot depending on the product:
- If the client sells audio equipment, I would focus on sound contractors, studios, broadcasters, theatres, and live production companies.
- If the client sells lighting or rigging, I would focus on rental houses, production companies, venues, and event technology firms.
- If the client sells software or control systems, I would focus on technical directors, system integrators, and engineering teams.
- If the client sells services, I would target operations leaders, procurement, and project managers responsible for buying and specifying solutions.
Once you share the client website, I can review it and identify the best buyer types, buyer companies, and the most relevant event audience segments for that product.
9️⃣ Industry suggestions based on the industry list you shared
For this event, the strongest industry filters from your industry list are the ones closest to live production, media, technology, and event infrastructure.
Recommended industries:
- Events Services
- Entertainment
- Media Production
- Broadcast Media
- Performing Arts
- Leisure, Travel & Tourism
- Information Technology & Services
- Computer Software
- Design
- Electrical/Electronic Manufacturing
- Consumer Electronics
- Construction
- Facilities Services
- Architecture & Planning
- Wholesale
- Import & Export
You can also strengthen targeting by using company keywords such as live events, production, touring, audio, lighting, AV, broadcast, systems integration, venue, theatre, rental, hire, installation, and technical services.
Final recommendation
PLASA Show 2026 is a strong event for buyer-list generation if your client sells into professional audio, lighting, AV, staging, production, install, or event technology markets. It is not a mass-market event; it is a specialized buying environment where technical and commercial decision-makers gather to compare products, source suppliers, and evaluate new solutions.
Best buyer categories to prioritize: rental and production companies, venue operators, technical directors, system integrators, broadcasters, theatres, studios, and pro-AV distributors.
Buyer quality rating for B2B list sales: 8.5/10
This is a strong niche event with high-value audience concentration. The more precisely you align the buyer list to the client’s product, the better your conversion and campaign quality will be.
Data sheet
| Event Name | PLASA Show 2026 |
| Event Date | 6–8 September 2026 |
| Event Status | Upcoming |
| Venue | Olympia London |
| City | London |
| State / Region | London |
| Country | United Kingdom |
| Organizer | PLASA |
| Official Event Website | PLASA Show official event site |
| Event Type | Professional B2B trade show for live entertainment technology, audio, lighting, AV, staging, production, installation, rental and systems integration |
| Primary Category | Entertainment & Media |
| Secondary Applicable Categories | IT & Technology; Business Services; Education & Training; Industrial Engineering |
| Audience Reach | National with meaningful international buyer participation |
| Estimated Attendance / Expected Footfall | Several thousand attendees, based on prior-year scale and event positioning. Attendance figure not publicly confirmed by the organizer. |
| Attendance Data Reliability | Estimated; organizer has not publicly confirmed a current-year attendance figure in the available reference information. |
| Main Purpose of Event | Product discovery, supplier sourcing, technical education, live demonstrations, dealer/distributor networking, systems integration, and procurement for entertainment and production technology. |
PLASA Show 2026 is a focused professional trade event serving the live entertainment technology market, including audio, lighting, AV, staging, rigging, control, networking, and production services. It is designed for commercial buyers and technical decision-makers who source, specify, recommend, install, rent, or support event technology across venues, production companies, integrators, and rental houses.
The event matters because it brings together brands, distributors, system designers, and operational buyers in one highly targeted environment. For exhibitors and service providers, it is a strong venue for B2B lead generation, channel development, specification influence, product launches, and relationship-building with decision-makers responsible for purchasing and long-term technology adoption.
| Buyer / Attendee Segment | Typical Organizations | Buying Role or Influence | Relevance to Exhibitors / Suppliers |
|---|---|---|---|
| Production and technical teams | Live event production companies, venues, touring firms, theaters, broadcasters | Specify and influence equipment and service purchases | High-value audience for audio, lighting, control, staging, rigging, and networking products |
| Rental company owners and managers | AV rental, production rental, staging and entertainment equipment hire firms | Direct purchase authority and fleet investment influence | Core buyers for recurring equipment replacement and expansion |
| System integrators and installers | AV integrators, venue technology contractors, specialist installers | Select products for projects and client deployments | Important for specification-led sales and channel relationships |
| Venue operators and technical directors | Theaters, arenas, concert halls, conference centers, houses of worship, studios | Operational decision-makers and end-user influencers | Strong fit for capital equipment, upgrades, and lifecycle replacement |
| Sound engineers and lighting designers | Production houses, touring companies, creative agencies, venues | Influence specifications and preferred brands | Useful for product adoption and advocacy even when not final buyers |
| Procurement and sourcing teams | Large venues, university facilities, public institutions, broadcasters, event groups | Commercial evaluation, supplier onboarding, contract negotiation | Important for deal closure and framework purchasing |
| Consultants and system designers | AV consultants, acoustic consultants, design firms, technical advisors | Specification and recommendation authority | High influence on vendor selection and project tendering |
| Distributors and dealers | Regional equipment distributors, reseller networks, wholesale channels | Channel buying, stocking, and line-card decisions | Relevant for market expansion and channel sales |
| Educational institutions and training buyers | Universities, colleges, training centers, performing arts schools | Procurement and curriculum-support technology decisions | Good fit for entry-level, training, and value-oriented solutions |
| Media, editors, and industry associations | Trade media, associations, standards bodies, membership organizations | Influence awareness and thought leadership | Supports credibility, launch coverage, and community reach |
| Geographic Area | Likely Attendee Origin | Buyer Concentration | Notes |
|---|---|---|---|
| Host city: London | High local attendance from London-based venues, production firms, integrators, agencies, and institutions | High | London is a major live events and AV procurement hub |
| Host region: Greater London / South East England | Strong regional presence from the South East, including technical service providers and venues | High | Short travel distance supports repeat buyers and day visitors |
| Nearby business hubs | Birmingham, Manchester, Bristol, Leeds, Glasgow, Cardiff, Dublin, Amsterdam, Paris | Medium to high | Relevant for rental, systems integration, and channel partners |
| National UK reach | Buyers from across England, Scotland, Wales, and Northern Ireland | High | Event is well suited to UK-wide B2B attendee list building |
| International reach | European and selected global buyers, distributors, manufacturers, and consultants | Medium | International appeal is meaningful, but the event remains primarily UK-centered |
| Trade corridor relevance | UK–EU equipment trading, channel distribution, rental fleet supply, and venue technology sourcing | Medium | Useful for suppliers targeting distribution and integration networks |
| Reach Level | Assessment | Explanation |
|---|---|---|
| National | Primary classification | The event is strongly anchored in the UK market and is most relevant to UK buyers, specifiers, rental firms, venues, and distributors. |
| Secondary: International | Meaningful but not primary | The show also attracts European and global suppliers, distributors, and technical decision-makers seeking UK channel access. |
| Buyer Company / Organization | Buyer Type | Why It Is Relevant | Website | Best Job Titles to Target | Evidence Level |
|---|---|---|---|---|---|
| Royal Opera House | Venue / performing arts operator | Technical production, lighting, sound, and venue systems procurement | roh.org.uk | Technical Director, Head of Production, Procurement Manager | Strong Market Fit, Attendance Not Confirmed |
| Sadler’s Wells | Venue operator | Uses production, rigging, audio, and stage technology | sadlerswells.com | Head of Technical, Production Manager, Facilities Director | Strong Market Fit, Attendance Not Confirmed |
| The O2 | Arena / venue operator | Large-scale event technology, venue systems, and show production needs | theo2.co.uk | Technical Director, Head of Event Operations, Procurement Lead | Strong Market Fit, Attendance Not Confirmed |
| ExCeL London | Venue operator | Buyer for venue AV, lighting, production, and operational technology | excel-london.co.uk | Head of Operations, Technical Services Manager, Procurement Manager | Strong Market Fit, Attendance Not Confirmed |
| Eventim Apollo | Venue operator | Live venue with continuous equipment and production needs | eventimapollo.com | Venue Director, Technical Manager, Production Manager | Strong Market Fit, Attendance Not Confirmed |
| Wembley Stadium | Stadium / event operator | High-value venue technology and event production buyer | wembleystadium.com | Head of Operations, Technical Director, Event Production Lead | Strong Market Fit, Attendance Not Confirmed |
| Royal Albert Hall | Venue / heritage performance space | Technical systems, event production, and venue operations purchasing | royalalberthall.com | Technical Director, Head of Production, Operations Manager | Strong Market Fit, Attendance Not Confirmed |
| Production Park | Production / rehearsal / event services | Uses a broad range of entertainment technology and services | productionpark.com | Managing Director, Head of Production, Technical Operations Director | Strong Market Fit, Attendance Not Confirmed |
| Solotech | AV / production technology integrator and rental provider | Potential buyer for equipment, software, and production solutions | solotech.com | Procurement Director, Operations Director, Business Development Director | Strong Market Fit, Attendance Not Confirmed |
| Creative Technology | AV rental / production services | Key decision-maker profile for event technology procurement | ct-group.com | Procurement Manager, Technical Director, Head of Projects | Strong Market Fit, Attendance Not Confirmed |
| Stagecoach Theatre Arts | Training / education organization | Potential buyer for performance-space audio, lighting, and AV systems | stagecoach.co.uk | Facilities Manager, Operations Director, Procurement Lead | Strong Market Fit, Attendance Not Confirmed |
| University of the Arts London | Higher education / arts institution | Buyer for studios, theaters, and training infrastructure | arts.ac.uk | Head of Facilities, Procurement Manager, AV Services Manager | Strong Market Fit, Attendance Not Confirmed |
| Priority | Job Title / Function | Department | Seniority Level | Why This Role Matters |
|---|---|---|---|---|
| 1 | Technical Director | Technical / Production | Director | Strong influence on product selection, system design, and vendor evaluation |
| 2 | Head of Production | Production | Head / Director | Influences project and event technology purchases |
| 3 | Procurement Manager | Procurement / Supply Chain | Manager | Key for supplier onboarding, pricing, and contract negotiation |
| 4 | Operations Director | Operations | Director | Controls budget, operational efficiency, and capital upgrades |
| 5 | Lighting Director / Lighting Designer | Creative / Technical | Senior / Director | Specs and advocates for lighting systems and controls |
| 6 | Audio Manager / Head of Audio | Technical | Manager / Senior | Influences PA, mixing, DSP, wireless, and signal chain purchases |
| 7 | System Designer / AV Consultant | Consulting / Engineering | Senior / Principal | Specification authority for venue and integration projects |
| 8 | Rigging / Stage Manager | Production / Operations | Manager | Relevant for rigging, staging, safety, and deployment equipment |
| 9 | Business Development Director | Commercial / Partnerships | Director | Important for distributors, channel partners, and service alliances |
| 10 | Facilities Director / Manager | Facilities / Estates | Director / Manager | Buyer for venue infrastructure, install, and lifecycle maintenance |
| Priority | Apollo Industry | Why It Fits the Event | Best Buyer Use Case |
|---|---|---|---|
| 1 | Entertainment | Core market for live event production and venue technology | Production houses, venues, and entertainment operators |
| 2 | Events Services | Direct fit for event production and rental buyers | Event agencies, rental firms, production services |
| 3 | Broadcast Media | Broadcast and studio technology often overlaps with show tech | Studios, broadcasters, live production teams |
| 4 | Information Technology & Services | Relevant for AV-over-IP, control networks, software, and systems | Technical decision-makers and integrators |
| 5 | Computer Software | Show control, media, ticketing, and production software buyers | Software vendors targeting entertainment workflows |
| 6 | Consumer Electronics | Overlap on displays, audio, networking, and control devices | Product suppliers and channel partners |
| 7 | Wholesale | Distributors and dealers are central to the ecosystem | Channel sales, stocking, and reseller relationships |
| 8 | Import & Export | International product flow is common in this market | Cross-border sourcing and distribution |
| 9 | Construction | Venue fit-outs, permanent installs, and staging infrastructure | Installers, contractors, venue upgrade projects |
| 10 | Architecture & Planning | Consultants influence venue design and technical specification | System designers, consultants, spec writers |
| 11 | Facilities Services | Venue operations and lifecycle maintenance are highly relevant | Facilities teams in venues and institutions |
| 12 | Education Management | Schools and universities buy AV and production equipment | Training spaces, theaters, media departments |
| Metric | Figure | Status | Source / Basis | Notes |
|---|---|---|---|---|
| Estimated total footfall | Several thousand | Estimated | Prior-year scale and event positioning as a focused B2B trade show | Attendance figure not publicly confirmed by the organizer. |
| Exhibitor count | Not publicly confirmed here | Not confirmed | Official current-year exhibitor list not verified in the available reference material | Use official exhibitor directory when available for list building. |
| Buyer count | Not publicly confirmed | Not confirmed | No official buyer count located in provided reference | Prospecting relevance is high even without a published buyer count. |
| Speaker count | Not publicly confirmed here | Not confirmed | Depends on final 2026 agenda release | Speaker list should be checked on the official agenda page. |
| Sponsor count | Not publicly confirmed here | Not confirmed | Sponsor roster not verified in the available reference material | Sponsor analysis should be updated once the official sponsor page is live. |
| Historical attendance | Several thousand, based on event type and prior-year positioning | Estimated | Prior-year evidence only | Not a confirmed attendance number for the 2026 edition. |
| Focus Area | Typical Buyer Need | Buyer Engagement Opportunity | Relevant Supplier Offering |
|---|---|---|---|
| Audio systems | Reliable, scalable, rider-friendly audio technology | Product demos and side-by-side comparisons | Speakers, consoles, DSP, wireless, networking |
| Lighting and control | Flexible fixtures, control systems, and efficiency | Live demonstrations and technical workshops | LED lighting, consoles, dimming, automation |
| AV and video | Displays, media servers, signal distribution, playback | Use-case mapping for venues and live production | LED, projection, processing, media servers |
| Staging and rigging | Safety, reliability, and deployment speed | Specification and compliance conversations | Truss, motors, hoists, stage decks |
| Networking and IP systems | Reliable connectivity for converged AV workflows | Solution selling to technical buyers | Switching, routing, AV-over-IP, management software |
| Installation and integration | Permanent system fit-outs and lifecycle service | Project-based lead generation and partner discovery | Integration services, commissioning, support |
| Rental and production services | Fleet renewal, efficiency, and new product evaluation | Channel and fleet-management conversations | Rental inventory, support services, financing |
| Education and training | Skills development and technical education | Workshops, certifications, and content marketing | Training programs, product certifications |
| Factor | Assessment | Explanation |
|---|---|---|
| Buyer relevance | Very High | The event is highly concentrated around active buyers and influencers in live events, AV, staging, and production technology. |
| Decision-maker availability | High | Technical directors, procurement teams, venue managers, and integrators are core attendee groups. |
| Data collection potential | High | Trade show environment is well suited to lead capture, list building, and account-based outreach. |
| Apollo targeting potential | Very High | Clear industry, title, and function filters map well to the attendee profile. |
| Geographic targeting potential | High | Strong London and UK focus with useful international add-ons. |
| Best outreach approach | High-value, technical, and use-case-led | Use role-specific messaging tied to product demos, cost savings, reliability, and venue or production workflows. |
| Overall lead quality | Very High | Strong event for qualified B2B lead generation in a specialized vertical. |
| Best use case | Attendee list sales, prospecting, channel development, and account-based outreach | Excellent for suppliers selling to venues, production companies, integrators, and distributors. |
| Limitations / risks | Moderate | Final current-year exhibitor, speaker, and attendee lists may not be fully public before the event; verify official directories before claiming participation. |
| Filter Type | Recommended Filters | Purpose |
|---|---|---|
| Apollo industries | Entertainment; Events Services; Broadcast Media; Information Technology & Services; Computer Software; Consumer Electronics; Wholesale; Import & Export; Construction; Architecture & Planning; Facilities Services; Education Management | Capture venue operators, production companies, integrators, distributors, and specifiers |
| Departments | Operations; Procurement; Purchasing; Production; Engineering; IT; Facilities; Partnerships; Business Development | Align outreach to people who influence or execute purchases |
| Seniority | Manager; Director; VP; CXO; Owner; Partner; Head | Prioritize decision-makers and senior influencers |
| Job titles | Technical Director, Head of Production, Procurement Manager, Operations Director, Facilities Director, AV Manager, Systems Integrator, Project Director, Business Development Director, Category Manager, Rental Manager, Head of Technical | Directly match common buyer roles at this event |
| Geography | United Kingdom; London; Greater London; South East England; selected Europe | Focus on the strongest attendee origin markets first |
| Employee size | 11–50; 51–200; 201–500; 501–1,000; 1,000+ | Covers rental firms, integrators, venues, distributors, and large institutions |
| Keywords | audio, lighting, AV, staging, rigging, production, live events, entertainment technology, venue technology, systems integration, rental, installation, show control | Refine to high-intent companies and technical buyers |
| Company type | Private; Public; Nonprofit; Educational institution; Government-adjacent venue or agency | Broadens reach to all major buyer types in the ecosystem |
| Suggested outreach timing | Pre-event 8–12 weeks; event week; post-event 2–4 weeks | Maximize appointment setting, onsite meetings, and follow-up conversion |
| Source | Type | What It Verified | Reliability |
|---|---|---|---|
| PLASA | Official organizer website | Organizer identity and official event context for PLASA Show | High |
| Olympia London | Official venue website | Venue identity and London location | High |
| PLASA Show | Official event website | Event name, category, audience positioning, and event positioning as a B2B trade show | High |
| PLASA About | Organizer / association page | Organizer background and sector alignment | High |
| PLASA Show Exhibitors / Directory | Official exhibitor directory page | Use for current-year exhibitor verification when publicly available | Medium to High |
| PLASA Show Agenda | Official agenda / program page | Speaker sessions, topics, and education content when published | Medium to High |
🎯 Selling to this event's audience? Get a free tailored buyer list
Tell us your work email and our AI instantly builds a buyer list matched to PLASA Show 2026 — the best‑fit companies to target, the exact decision‑maker job titles, and the industry filters that fit what you sell.
