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About this event

PLASA Show 2026

Event type: Professional audio, lighting, AV, staging, production technology, live events, entertainment technology, installation, rental and production services

Typical venue: London, United Kingdom

Audience profile: Industry buyers, distributors, rental companies, integrators, venue operators, production houses, technical directors, system designers, consultants, installers, manufacturers, and event technology decision-makers

Estimated attendance: Usually a focused B2B trade audience with several thousand attendees, including a strong mix of UK and international buyers

1️⃣ Who attends: Buyers / Attendees

PLASA Show is a specialized B2B event for the live entertainment technology ecosystem. The buyers are not general consumers. The most valuable attendees are people who influence purchasing for audio systems, stage lighting, rigging, control systems, LED displays, networking, production equipment, installation services, and venue technology.

The event attracts a mix of commercial buyers and technical influencers. On the buying side, you typically see rental company owners, heads of production, technical managers, lighting designers, sound engineers, integration consultants, venue technical teams, and procurement teams from theaters, arenas, houses of worship, studios, schools, and event production agencies.

It is also attractive to manufacturers and brands that want to meet distributors, dealers, resellers, and systems integrators. So the buyer list is usually strongest when it focuses on companies that actually purchase, specify, recommend, rent, install, or resell professional equipment.

2️⃣ Where the show is happening + attendee geographic origin

PLASA Show is typically held in London, United Kingdom, which makes it highly accessible for the UK market and very convenient for European buyers as well. London is one of the strongest global hubs for live events, touring, theater, broadcast production, and venue technology, so the location itself helps attract serious commercial decision-makers.

Attendee geographic origin: predominantly United Kingdom, with strong participation from Europe and selected global visitors from the Middle East, North America, Asia-Pacific, and other regions. Because this industry is highly networked and specification-led, many attendees travel in specifically to source products, compare suppliers, and meet new manufacturers.

Best geographic targeting: UK nationwide, London and Greater London, Ireland, Western Europe, Nordics, GCC / Middle East production markets, and international touring or rental groups.

3️⃣ Audience reach

Reach type: National and international

This event has a strong UK core audience, but it also functions as a regional gateway into Europe and the wider international live entertainment supply chain. That means it is not just a local show. It is a buyer meeting point for a broader market that includes distributors, consultants, project specifiers, production buyers, and technology evaluators.

For list-building purposes, this is a high-value event because the audience is concentrated, specialized, and commercially relevant. Even if the total footfall is smaller than mass consumer exhibitions, the quality of buyers is usually much stronger.

4️⃣ Sample buyer company names + websites

Below are sample buyer-side companies that are likely to be relevant for PLASA Show 2026. These are not random names; they are the types of organizations that buy, specify, rent, integrate, distribute, or recommend live production and AV equipment.

Priority Company Website Best Title to Target Why This is a Good Buyer Fit
1 Production Resource Group prg.com Head of Procurement / Technical Director / VP of Production Major rental and production services company; strong buyer of lighting, rigging, staging, and control systems.
2 Solotech solotech.com Operations Director / System Integration Manager / Purchasing Manager Global AV and production solutions provider; good fit for live events, installations, and systems purchases.
3 CT (Creative Technology) ct-group.com Technical Director / Head of Projects / Procurement Lead High-end event technology and LED / AV integration buyer with strong spec and rental needs.
4 NEP Group nepgroup.com Director of Engineering / Technical Operations Manager Large media services company with demand for broadcast and live event technology.
5 AV Stumpfl avstumpfl.com Sales Director / Product Manager / Channel Partner Manager Relevant for projection, display, and event technology ecosystem buying and partnerships.
6 Adlib adlib.co.uk Managing Director / Head of Production / Hire Manager Production and hire specialist; likely buyer of pro audio, lighting, and staging equipment.
7 Turner Audio turneraudio.com Technical Manager / Sales Director / Project Manager Strong fit for installed audio and live sound solutions.
8 White Light white-light.com Lighting Director / Rental Manager / Technical Sales Manager Well aligned with stage lighting, theatre, touring, and event production buyers.
9 Ciaran Productions ciaranproductions.com Founder / Production Manager / Equipment Buyer Event production companies need a steady flow of audio, lighting, rigging, and control products.
10 MAD Studio madstudio.co.uk Studio Manager / Technical Lead / Purchasing Manager Useful for broadcast, studio, and content production buyers.
11 London Theatre Company londontheatre.co.uk Technical Manager / Production Manager / Venue Operations Director Theatre buyers influence lighting, sound, stage machinery, and control purchases.
12 Abbey Road Studios abbeyroad.com Studio Technical Manager / Head of Facilities / Equipment Manager High-end audio and studio technology buyer with strong brand relevance.
13 Sky sky.com Broadcast Engineering Manager / Technical Procurement Lead Broadcaster with ongoing AV, production, and studio technology requirements.
14 BBC bbc.co.uk Broadcast Technology Manager / Production Systems Lead Large-scale buyer and specifier of professional media and production technology.
15 The O2 theo2.co.uk Venue Technical Manager / Head of Operations Major venue operator with recurring needs for audio, lighting, staging, and event tech.
16 Live Nation livenation.com Production Director / Touring Operations Manager Major live entertainment buyer with touring and event production purchasing power.
17 AEG Europe aegworldwide.com Venue Operations Director / Technical Services Manager Strong buyer for venue technology, large-format production, and event services.
18 Riedel Communications riedel.net Business Development Manager / Product Specialist / Channel Manager Relevant for comms, intercom, and networked production workflow buyers and partners.
19 Shure shure.com Market Development Manager / Sales Director / Education & Training Lead Strong professional audio brand with channel, education, and buyer ecosystem relevance.
20 Yamaha Music Europe yamaha.com Pro Audio Sales Manager / Channel Marketing Manager Pro audio and live sound ecosystem buyer and relationship target.

Top 5 sample accounts to send first: Production Resource Group, Solotech, Creative Technology, NEP Group, and White Light.

5️⃣ Job profiles, industries & event type

The best targeting strategy for this event is to focus on decision-makers and influencers who are close to purchasing or specifying equipment. In this sector, one buyer can influence a large annual spend across systems, rentals, upgrades, maintenance, and replacement cycles.

Best job titles to target:

  • Managing Director
  • Owner / Founder
  • Procurement Manager
  • Purchasing Manager
  • Technical Director
  • Head of Production
  • Production Manager
  • Operations Director
  • Venue Technical Manager
  • Broadcast Engineering Manager
  • System Integration Manager
  • Lighting Designer
  • Audio Director / Sound Engineer
  • Rental Manager
  • Project Manager
  • Sales Director
  • Channel Manager
  • Product Manager
  • Consultant
  • Specification Manager

Best industry filters to use:

  • Events Services
  • Entertainment
  • Media Production
  • Motion Pictures & Film
  • Broadcast Media
  • Performing Arts
  • Leisure, Travel & Tourism
  • Information Technology & Services
  • Computer Software
  • Design
  • Electrical/Electronic Manufacturing
  • Consumer Electronics
  • Construction
  • Architecture & Planning
  • Facilities Services
  • Education Management
  • Higher Education
  • Professional Training & Coaching
  • Telecommunications
  • Wholesale
  • Import & Export

6️⃣ Estimated attendance / expected footfall

PLASA Show is usually a focused trade audience rather than a massive public expo. The expected footfall is generally in the several-thousand range, with strong concentration of high-intent professional visitors. Exact attendance can vary by year, venue, and exhibition scale, but the important point is that the crowd is highly qualified.

Expected total footfall: several thousand attendees, including buyers, specifiers, integrators, rental professionals, venue teams, and manufacturers.

For list-selling, this is valuable because a smaller, specialized crowd often converts better than a larger general audience. In this market, quality is more important than raw volume.

7️⃣ Key focus areas & buyer engagement

Key focus areas typically include:

  • Professional audio
  • Lighting design and fixtures
  • Stage rigging and truss systems
  • Video, LED, projection, and display technology
  • Control systems and media networking
  • Live event production technology
  • Venue infrastructure and installation
  • Broadcast and studio workflow tools
  • Rental, hire, and production services
  • Technical training, certification, and workflow innovation

Buyer engagement angle: The best outreach is based on product category and usage scenario. For example, a lighting manufacturer should target lighting rental houses, venue operators, and system integrators. An audio brand should target sound contractors, theatres, broadcasters, and production companies. A software or control platform should target technical directors, engineering leads, and consultants.

The buyer conversation should be framed around solving operational challenges such as reliability, workflow speed, show control, system compatibility, tour readiness, install support, and total cost of ownership.

8️⃣ Client-product fit note

To give you the best buyer recommendations, I need your client website first. That will help me determine whether the strongest target accounts are rental companies, venue operators, broadcasters, integrators, distributors, consultants, or manufacturers.

The ideal buyer list changes a lot depending on the product:

  • If the client sells audio equipment, I would focus on sound contractors, studios, broadcasters, theatres, and live production companies.
  • If the client sells lighting or rigging, I would focus on rental houses, production companies, venues, and event technology firms.
  • If the client sells software or control systems, I would focus on technical directors, system integrators, and engineering teams.
  • If the client sells services, I would target operations leaders, procurement, and project managers responsible for buying and specifying solutions.

Once you share the client website, I can review it and identify the best buyer types, buyer companies, and the most relevant event audience segments for that product.

9️⃣ Industry suggestions based on the industry list you shared

For this event, the strongest industry filters from your industry list are the ones closest to live production, media, technology, and event infrastructure.

Recommended industries:

  • Events Services
  • Entertainment
  • Media Production
  • Broadcast Media
  • Performing Arts
  • Leisure, Travel & Tourism
  • Information Technology & Services
  • Computer Software
  • Design
  • Electrical/Electronic Manufacturing
  • Consumer Electronics
  • Construction
  • Facilities Services
  • Architecture & Planning
  • Wholesale
  • Import & Export

You can also strengthen targeting by using company keywords such as live events, production, touring, audio, lighting, AV, broadcast, systems integration, venue, theatre, rental, hire, installation, and technical services.

Final recommendation

PLASA Show 2026 is a strong event for buyer-list generation if your client sells into professional audio, lighting, AV, staging, production, install, or event technology markets. It is not a mass-market event; it is a specialized buying environment where technical and commercial decision-makers gather to compare products, source suppliers, and evaluate new solutions.

Best buyer categories to prioritize: rental and production companies, venue operators, technical directors, system integrators, broadcasters, theatres, studios, and pro-AV distributors.

Buyer quality rating for B2B list sales: 8.5/10

This is a strong niche event with high-value audience concentration. The more precisely you align the buyer list to the client’s product, the better your conversion and campaign quality will be.

Data sheet

PLASA Show 2026 – Event Attendee & Buyer Profile Analysis
Event Date: 6–8 September 2026
Location: Olympia London, London, United Kingdom
Event Status: Upcoming
Research Date: 23 June 2026
Event Overview
Event Name PLASA Show 2026
Event Date 6–8 September 2026
Event Status Upcoming
Venue Olympia London
City London
State / Region London
Country United Kingdom
Organizer PLASA
Official Event Website PLASA Show official event site
Event Type Professional B2B trade show for live entertainment technology, audio, lighting, AV, staging, production, installation, rental and systems integration
Primary Category Entertainment & Media
Secondary Applicable Categories IT & Technology; Business Services; Education & Training; Industrial Engineering
Audience Reach National with meaningful international buyer participation
Estimated Attendance / Expected Footfall Several thousand attendees, based on prior-year scale and event positioning. Attendance figure not publicly confirmed by the organizer.
Attendance Data Reliability Estimated; organizer has not publicly confirmed a current-year attendance figure in the available reference information.
Main Purpose of Event Product discovery, supplier sourcing, technical education, live demonstrations, dealer/distributor networking, systems integration, and procurement for entertainment and production technology.
About the Event

PLASA Show 2026 is a focused professional trade event serving the live entertainment technology market, including audio, lighting, AV, staging, rigging, control, networking, and production services. It is designed for commercial buyers and technical decision-makers who source, specify, recommend, install, rent, or support event technology across venues, production companies, integrators, and rental houses.

The event matters because it brings together brands, distributors, system designers, and operational buyers in one highly targeted environment. For exhibitors and service providers, it is a strong venue for B2B lead generation, channel development, specification influence, product launches, and relationship-building with decision-makers responsible for purchasing and long-term technology adoption.

1. Who Attends: Buyers / Attendees
Buyer / Attendee Segment Typical Organizations Buying Role or Influence Relevance to Exhibitors / Suppliers
Production and technical teamsLive event production companies, venues, touring firms, theaters, broadcastersSpecify and influence equipment and service purchasesHigh-value audience for audio, lighting, control, staging, rigging, and networking products
Rental company owners and managersAV rental, production rental, staging and entertainment equipment hire firmsDirect purchase authority and fleet investment influenceCore buyers for recurring equipment replacement and expansion
System integrators and installersAV integrators, venue technology contractors, specialist installersSelect products for projects and client deploymentsImportant for specification-led sales and channel relationships
Venue operators and technical directorsTheaters, arenas, concert halls, conference centers, houses of worship, studiosOperational decision-makers and end-user influencersStrong fit for capital equipment, upgrades, and lifecycle replacement
Sound engineers and lighting designersProduction houses, touring companies, creative agencies, venuesInfluence specifications and preferred brandsUseful for product adoption and advocacy even when not final buyers
Procurement and sourcing teamsLarge venues, university facilities, public institutions, broadcasters, event groupsCommercial evaluation, supplier onboarding, contract negotiationImportant for deal closure and framework purchasing
Consultants and system designersAV consultants, acoustic consultants, design firms, technical advisorsSpecification and recommendation authorityHigh influence on vendor selection and project tendering
Distributors and dealersRegional equipment distributors, reseller networks, wholesale channelsChannel buying, stocking, and line-card decisionsRelevant for market expansion and channel sales
Educational institutions and training buyersUniversities, colleges, training centers, performing arts schoolsProcurement and curriculum-support technology decisionsGood fit for entry-level, training, and value-oriented solutions
Media, editors, and industry associationsTrade media, associations, standards bodies, membership organizationsInfluence awareness and thought leadershipSupports credibility, launch coverage, and community reach
2. Event Location and Attendee Geographic Origin
Geographic Area Likely Attendee Origin Buyer Concentration Notes
Host city: LondonHigh local attendance from London-based venues, production firms, integrators, agencies, and institutionsHighLondon is a major live events and AV procurement hub
Host region: Greater London / South East EnglandStrong regional presence from the South East, including technical service providers and venuesHighShort travel distance supports repeat buyers and day visitors
Nearby business hubsBirmingham, Manchester, Bristol, Leeds, Glasgow, Cardiff, Dublin, Amsterdam, ParisMedium to highRelevant for rental, systems integration, and channel partners
National UK reachBuyers from across England, Scotland, Wales, and Northern IrelandHighEvent is well suited to UK-wide B2B attendee list building
International reachEuropean and selected global buyers, distributors, manufacturers, and consultantsMediumInternational appeal is meaningful, but the event remains primarily UK-centered
Trade corridor relevanceUK–EU equipment trading, channel distribution, rental fleet supply, and venue technology sourcingMediumUseful for suppliers targeting distribution and integration networks
3. Audience Reach
Reach Level Assessment Explanation
National Primary classification The event is strongly anchored in the UK market and is most relevant to UK buyers, specifiers, rental firms, venues, and distributors.
Secondary: International Meaningful but not primary The show also attracts European and global suppliers, distributors, and technical decision-makers seeking UK channel access.
4. Sample Buyer Companies and Websites
Buyer Company / Organization Buyer Type Why It Is Relevant Website Best Job Titles to Target Evidence Level
Royal Opera HouseVenue / performing arts operatorTechnical production, lighting, sound, and venue systems procurementroh.org.ukTechnical Director, Head of Production, Procurement ManagerStrong Market Fit, Attendance Not Confirmed
Sadler’s WellsVenue operatorUses production, rigging, audio, and stage technologysadlerswells.comHead of Technical, Production Manager, Facilities DirectorStrong Market Fit, Attendance Not Confirmed
The O2Arena / venue operatorLarge-scale event technology, venue systems, and show production needstheo2.co.ukTechnical Director, Head of Event Operations, Procurement LeadStrong Market Fit, Attendance Not Confirmed
ExCeL LondonVenue operatorBuyer for venue AV, lighting, production, and operational technologyexcel-london.co.ukHead of Operations, Technical Services Manager, Procurement ManagerStrong Market Fit, Attendance Not Confirmed
Eventim ApolloVenue operatorLive venue with continuous equipment and production needseventimapollo.comVenue Director, Technical Manager, Production ManagerStrong Market Fit, Attendance Not Confirmed
Wembley StadiumStadium / event operatorHigh-value venue technology and event production buyerwembleystadium.comHead of Operations, Technical Director, Event Production LeadStrong Market Fit, Attendance Not Confirmed
Royal Albert HallVenue / heritage performance spaceTechnical systems, event production, and venue operations purchasingroyalalberthall.comTechnical Director, Head of Production, Operations ManagerStrong Market Fit, Attendance Not Confirmed
Production ParkProduction / rehearsal / event servicesUses a broad range of entertainment technology and servicesproductionpark.comManaging Director, Head of Production, Technical Operations DirectorStrong Market Fit, Attendance Not Confirmed
SolotechAV / production technology integrator and rental providerPotential buyer for equipment, software, and production solutionssolotech.comProcurement Director, Operations Director, Business Development DirectorStrong Market Fit, Attendance Not Confirmed
Creative TechnologyAV rental / production servicesKey decision-maker profile for event technology procurementct-group.comProcurement Manager, Technical Director, Head of ProjectsStrong Market Fit, Attendance Not Confirmed
Stagecoach Theatre ArtsTraining / education organizationPotential buyer for performance-space audio, lighting, and AV systemsstagecoach.co.ukFacilities Manager, Operations Director, Procurement LeadStrong Market Fit, Attendance Not Confirmed
University of the Arts LondonHigher education / arts institutionBuyer for studios, theaters, and training infrastructurearts.ac.ukHead of Facilities, Procurement Manager, AV Services ManagerStrong Market Fit, Attendance Not Confirmed
5. Job Profiles, Industries and Event Type
Priority Job Title / Function Department Seniority Level Why This Role Matters
1Technical DirectorTechnical / ProductionDirectorStrong influence on product selection, system design, and vendor evaluation
2Head of ProductionProductionHead / DirectorInfluences project and event technology purchases
3Procurement ManagerProcurement / Supply ChainManagerKey for supplier onboarding, pricing, and contract negotiation
4Operations DirectorOperationsDirectorControls budget, operational efficiency, and capital upgrades
5Lighting Director / Lighting DesignerCreative / TechnicalSenior / DirectorSpecs and advocates for lighting systems and controls
6Audio Manager / Head of AudioTechnicalManager / SeniorInfluences PA, mixing, DSP, wireless, and signal chain purchases
7System Designer / AV ConsultantConsulting / EngineeringSenior / PrincipalSpecification authority for venue and integration projects
8Rigging / Stage ManagerProduction / OperationsManagerRelevant for rigging, staging, safety, and deployment equipment
9Business Development DirectorCommercial / PartnershipsDirectorImportant for distributors, channel partners, and service alliances
10Facilities Director / ManagerFacilities / EstatesDirector / ManagerBuyer for venue infrastructure, install, and lifecycle maintenance
Priority Apollo Industry Why It Fits the Event Best Buyer Use Case
1EntertainmentCore market for live event production and venue technologyProduction houses, venues, and entertainment operators
2Events ServicesDirect fit for event production and rental buyersEvent agencies, rental firms, production services
3Broadcast MediaBroadcast and studio technology often overlaps with show techStudios, broadcasters, live production teams
4Information Technology & ServicesRelevant for AV-over-IP, control networks, software, and systemsTechnical decision-makers and integrators
5Computer SoftwareShow control, media, ticketing, and production software buyersSoftware vendors targeting entertainment workflows
6Consumer ElectronicsOverlap on displays, audio, networking, and control devicesProduct suppliers and channel partners
7WholesaleDistributors and dealers are central to the ecosystemChannel sales, stocking, and reseller relationships
8Import & ExportInternational product flow is common in this marketCross-border sourcing and distribution
9ConstructionVenue fit-outs, permanent installs, and staging infrastructureInstallers, contractors, venue upgrade projects
10Architecture & PlanningConsultants influence venue design and technical specificationSystem designers, consultants, spec writers
11Facilities ServicesVenue operations and lifecycle maintenance are highly relevantFacilities teams in venues and institutions
12Education ManagementSchools and universities buy AV and production equipmentTraining spaces, theaters, media departments
6. Estimated Attendance
Metric Figure Status Source / Basis Notes
Estimated total footfallSeveral thousandEstimatedPrior-year scale and event positioning as a focused B2B trade showAttendance figure not publicly confirmed by the organizer.
Exhibitor countNot publicly confirmed hereNot confirmedOfficial current-year exhibitor list not verified in the available reference materialUse official exhibitor directory when available for list building.
Buyer countNot publicly confirmedNot confirmedNo official buyer count located in provided referenceProspecting relevance is high even without a published buyer count.
Speaker countNot publicly confirmed hereNot confirmedDepends on final 2026 agenda releaseSpeaker list should be checked on the official agenda page.
Sponsor countNot publicly confirmed hereNot confirmedSponsor roster not verified in the available reference materialSponsor analysis should be updated once the official sponsor page is live.
Historical attendanceSeveral thousand, based on event type and prior-year positioningEstimatedPrior-year evidence onlyNot a confirmed attendance number for the 2026 edition.
7. Key Focus Areas and Buyer Engagement
Focus Area Typical Buyer Need Buyer Engagement Opportunity Relevant Supplier Offering
Audio systemsReliable, scalable, rider-friendly audio technologyProduct demos and side-by-side comparisonsSpeakers, consoles, DSP, wireless, networking
Lighting and controlFlexible fixtures, control systems, and efficiencyLive demonstrations and technical workshopsLED lighting, consoles, dimming, automation
AV and videoDisplays, media servers, signal distribution, playbackUse-case mapping for venues and live productionLED, projection, processing, media servers
Staging and riggingSafety, reliability, and deployment speedSpecification and compliance conversationsTruss, motors, hoists, stage decks
Networking and IP systemsReliable connectivity for converged AV workflowsSolution selling to technical buyersSwitching, routing, AV-over-IP, management software
Installation and integrationPermanent system fit-outs and lifecycle serviceProject-based lead generation and partner discoveryIntegration services, commissioning, support
Rental and production servicesFleet renewal, efficiency, and new product evaluationChannel and fleet-management conversationsRental inventory, support services, financing
Education and trainingSkills development and technical educationWorkshops, certifications, and content marketingTraining programs, product certifications
Lead Quality Assessment
Factor Assessment Explanation
Buyer relevanceVery HighThe event is highly concentrated around active buyers and influencers in live events, AV, staging, and production technology.
Decision-maker availabilityHighTechnical directors, procurement teams, venue managers, and integrators are core attendee groups.
Data collection potentialHighTrade show environment is well suited to lead capture, list building, and account-based outreach.
Apollo targeting potentialVery HighClear industry, title, and function filters map well to the attendee profile.
Geographic targeting potentialHighStrong London and UK focus with useful international add-ons.
Best outreach approachHigh-value, technical, and use-case-ledUse role-specific messaging tied to product demos, cost savings, reliability, and venue or production workflows.
Overall lead qualityVery HighStrong event for qualified B2B lead generation in a specialized vertical.
Best use caseAttendee list sales, prospecting, channel development, and account-based outreachExcellent for suppliers selling to venues, production companies, integrators, and distributors.
Limitations / risksModerateFinal current-year exhibitor, speaker, and attendee lists may not be fully public before the event; verify official directories before claiming participation.
Apollo.io Targeting Recommendation
Filter Type Recommended Filters Purpose
Apollo industriesEntertainment; Events Services; Broadcast Media; Information Technology & Services; Computer Software; Consumer Electronics; Wholesale; Import & Export; Construction; Architecture & Planning; Facilities Services; Education ManagementCapture venue operators, production companies, integrators, distributors, and specifiers
DepartmentsOperations; Procurement; Purchasing; Production; Engineering; IT; Facilities; Partnerships; Business DevelopmentAlign outreach to people who influence or execute purchases
SeniorityManager; Director; VP; CXO; Owner; Partner; HeadPrioritize decision-makers and senior influencers
Job titlesTechnical Director, Head of Production, Procurement Manager, Operations Director, Facilities Director, AV Manager, Systems Integrator, Project Director, Business Development Director, Category Manager, Rental Manager, Head of TechnicalDirectly match common buyer roles at this event
GeographyUnited Kingdom; London; Greater London; South East England; selected EuropeFocus on the strongest attendee origin markets first
Employee size11–50; 51–200; 201–500; 501–1,000; 1,000+Covers rental firms, integrators, venues, distributors, and large institutions
Keywordsaudio, lighting, AV, staging, rigging, production, live events, entertainment technology, venue technology, systems integration, rental, installation, show controlRefine to high-intent companies and technical buyers
Company typePrivate; Public; Nonprofit; Educational institution; Government-adjacent venue or agencyBroadens reach to all major buyer types in the ecosystem
Suggested outreach timingPre-event 8–12 weeks; event week; post-event 2–4 weeksMaximize appointment setting, onsite meetings, and follow-up conversion
Suggested Apollo Search Logic: (“technical director” OR “head of production” OR “procurement manager” OR “operations director” OR “facilities director” OR “AV manager” OR “systems integrator” OR “rental manager”) AND (audio OR lighting OR AV OR staging OR rigging OR production OR “live events” OR “entertainment technology” OR “venue technology”)
Client Fit Review Required
Please share the client website or product/service details. I will review the client offering and identify the highest-fit buyer companies, Apollo industries, seniority levels, departments, and job titles from this event.
Sources & Verification Notes
Source Type What It Verified Reliability
PLASA Official organizer website Organizer identity and official event context for PLASA Show High
Olympia London Official venue website Venue identity and London location High
PLASA Show Official event website Event name, category, audience positioning, and event positioning as a B2B trade show High
PLASA About Organizer / association page Organizer background and sector alignment High
PLASA Show Exhibitors / Directory Official exhibitor directory page Use for current-year exhibitor verification when publicly available Medium to High
PLASA Show Agenda Official agenda / program page Speaker sessions, topics, and education content when published Medium to High

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