
Experiential Designers and Producers Association - EDPA Access
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About this event
Experiential Designers and Producers Association (EDPA) — ACCESS @ Biltmore Resort
Date: December 1–3, 2026
Location: Biltmore Resort, Phoenix, Arizona, United States
1) Who attends (BUYERS / ATTENDEES)
ACCESS is positioned around the experiential, exhibit, and event industry community—so the attendee mix is strongest among professionals who design, produce, and influence real-world experience delivery. The highest-probability “buyer” attendance typically includes decision-makers and budget holders who commission experience work, evaluate vendors, and select partners for projects involving live audiences, branded environments, and immersive programming.
Primary attendee groups we expect to see:
- Experiential designers and creative leads (concepting, experience architecture, immersion, spatial story)
- Event producers and program managers (end-to-end production planning, run of show ownership)
- Exhibit and environment producers (booth/exhibit environments, experiential display builds, show-floor storytelling)
- Brand experience and marketing activation teams (campaign execution, experiential strategy alignment)
- Senior operators (production directors, operations leads, vendor management stakeholders)
- Service and solution providers (production services, creative/engineering partners, event technology support)
- EDPA network members whose job functions often span both creative leadership and procurement influence
2) Where the show is happening + attendee geographic origin
ACCESS @ Biltmore Resort takes place in Phoenix, Arizona (United States). Because EDPA is an international association representing professionals across multiple countries, the event frequently attracts a mix of local/regional attendees and industry professionals traveling in from other parts of the U.S.
Expected geographic origin (practical targeting view):
- Strong U.S. regional pull: Southwest and West Coast markets are typically well represented due to proximity
- National attendance: Many experiential and exhibit professionals operate with national client rosters and therefore attend from across the United States
- International visibility: While the venue is U.S.-based, EDPA’s broader international network can bring global attendees, particularly from industries that travel for high-value professional networking
3) Audience reach (Local / National / Global)
ACCESS has a national reach with targeted international networking. The event’s value is driven less by mass retail-style footfall and more by industry relevance—bringing together senior experiential and production professionals who can influence project selection and partnership decisions.
4) Sample buyer company names (BUYERS ONLY) + Websites
For ACCESS, the most valuable “buyer” accounts are typically the brands/organizations that commission experiential work, produce branded events, and purchase exhibit/experience services—or the internal teams that manage those purchases. We can build a buyer-only list for this event; however, the strongest matches depend on your exact client-product requirements and the scope of services you deliver.
Important note: We can’t reliably confirm specific buyer company exhibitors/participants from the website text provided. So below are buyer-style company examples to illustrate the type of organizations we target (we will validate and refine during the actual buyer-list build once we have your client website and requirements).
| Priority | Company | Website | Best Title to Target | Why This is a Good Buyer Fit |
|---|---|---|---|---|
| 1 | Live Nation Entertainment | https://www.livenation.com | Brand Experience Producer / Events Director | Significant event production footprint; experiential activations and immersive audience moments align closely with experiential and event production buying. |
| 2 | AEG | https://www.aegworldwide.com | Experiential Marketing Lead / Event Activation Manager | AEG’s business includes large-scale events and activations where exhibit-like environments and production services are core. |
| 3 | Walt Disney Imagineering (Disney Experiences) | https://www.thewaltdisneycompany.com | Experience Design Manager / Producer (Experiences) | Direct fit to experiential design and high-end production standards; strong likelihood of structured buying for experience development. |
| 4 | Comcast NBCUniversal | https://www.nbcuniversal.com | Experiential Marketing Manager / Event Producer | Television/media brands consistently require experience-led launches, branded environments, and immersive events. |
| 5 | Apple | https://www.apple.com | Events Producer / Experiential Marketing Program Manager | Apple regularly invests in experiential storytelling and branded event environments where design and production purchasing matters. |
| 6 | Netflix | https://about.netflix.com | Brand Events Lead / Experiential Producer | Large-scale marketing events and immersive experiences are a recurring need across entertainment campaigns. |
| 7 | Starbucks | https://www.starbucks.com | Brand Activation Manager / Events & Experiences Lead | Brand activations often require experiential design support, vendor partnerships, and event production buying. |
| 8 | Red Bull | https://www.redbull.com | Experiential Marketing Manager / Event Programming Director | Experiential marketing is central; programs frequently require specialized production and experience design vendors. |
| 9 | Ford Motor Company | https://corporate.ford.com | Event Marketing Lead / Experiential Program Manager | Automotive brands typically purchase experiential activations for launches, dealer events, and brand showcases. |
| 10 | Salesforce | https://www.salesforce.com | Events & Experiences Program Manager | B2B event ecosystems and brand experiences require exhibit-style and immersive experience delivery—high relevance for experiential procurement. |
| 11 | Adobe | https://www.adobe.com | Experiential Marketing Lead / Event Production Manager | Marketing campaigns often incorporate interactive and immersive event design; strong fit for experience production vendors. |
| 12 | https://about.google | Events Program Manager / Brand Experience Lead | Large-scale launches and branded experiences create ongoing demand for experiential production and environment design partners. | |
| 13 | Hilton | https://www.hilton.com | Brand Events Director / Experience Marketing Manager | Hospitality brands run frequent experiential programming, partnerships, and event activations where production buying is common. |
| 14 | Marriott International | https://www.marriott.com | Brand Activation Manager / Events Producer | Large hospitality footprint supports experiential and meeting/event ecosystem needs with ongoing supplier evaluation. |
| 15 | Visa | https://usa.visa.com | Experiential Marketing Manager / Events Lead | Financial brands commonly fund high-impact events, activations, and branded environments—strong fit for experience-focused vendors. |
| 16 | American Express | https://www.americanexpress.com | Events & Experiences Director / Brand Activation Manager | Premium card brands often use immersive brand experiences; purchasing decisions are frequently centralized in brand experience teams. |
| 17 | Procurement / Partner Services Buyer Example: Publicis Groupe (client services) | https://www.publicisgroupe.com | Experience Strategy Director / Event Production Lead | Agencies and experience strategists can be powerful “buyers” for experiential production engagements and vendor selection workflows. |
| 18 | WPP (client services) | https://www.wpp.com | Experiential Account Director / Events & Production Lead | WPP agencies frequently influence the vendor ecosystem for experiential and exhibit work tied to large brands. |
| 19 | Omnicom (client services) | https://www.omnicomgroup.com | Experiential Producer / Client Partner (Experiences) | Agency-managed experiential buying is common; leadership roles can directly evaluate and purchase experience production services. |
| 20 | Live-event technology buyer example: Aventri (events tech) | https://www.aventri.com | Experiences Platform Product Lead / Events Solutions Director | While tech-centric, these teams often align with event programming needs and can sponsor partnerships for immersive event delivery. |
Next step: We can replace these illustrative examples with a precise, buyer-only list customized to your client’s offering (once you share the client website and the type of solution they sell for experiential/exhibit/event work).
5) Job profiles, industries & event type
Best job profiles to target (buyer logic):
- Director / VP, Experiential Marketing
- Events & Experiences Director / Program Director
- Brand Activation Manager
- Experiential Marketing Manager
- Event Producer / Production Manager
- Experiential Designer / Experience Design Lead
- Exhibit / Environment Producer / Show Producer
- Vendor Management / Procurement-adjacent roles (where applicable)
- Project Director for live experience programs
- Partnership / Sponsorship lead (for organizations that activate via partnerships)
Event type (based on EDPA positioning):
- Industry conference / access network event for experiential, exhibit, and event professionals
- Education + networking + industry insight format (typical of association-access programming)
- Buyer-relevant environment where production and experience leaders meet solution providers
Industries we typically map to this event (from your intended Apollo-style filters):
- Events Services
- Marketing & Advertising
- Professional Training & Coaching (when tied to education sessions / professional development)
- Entertainment
- Hospitality (for resort/event venues and brand experience management teams)
- Media Production (for content-driven experience storytelling)
- Publishing / Program Development (when used in branded education or experience curriculum)
6) Estimated attendance (expected total footfall)
The official page content provided only includes dates and the venue listing for ACCESS, without an explicit attendance number. Therefore, we will not guess a specific footfall value from the source text.
Practical planning expectation: We treat ACCESS as an association-networking access-style event—usually smaller and higher-intent than mass trade shows. That means quality of buyer engagement often matters more than sheer footfall. When we build your buyer list, we prioritize decision-makers and senior production/experience roles rather than broad attendee volume.
7) Key focus areas & buyer engagement
Key focus areas aligned to EDPA’s industry positioning:
- Experiential design and production (turning creative concepts into delivered experiences)
- Exhibits and environments (spatial storytelling, interactive displays, branded spaces)
- Live event program execution (production workflows, scheduling, stakeholder coordination)
- Industry insights and professional growth through EDPA programming and learning themes
- Networking with vetted peers across the experiential and event production value chain
Buyer engagement approach we recommend: We position outreach around “experience outcomes” rather than generic event attendance. For example: targeting teams responsible for production quality, event innovation, exhibit storytelling, and vendor selection for immersive activations.
8) Client-product fit note (we need your client website to identify best buyers)
We can recommend the best buyer segments for ACCESS only after reviewing your client’s website and confirming what your client sells. Please share your client website URL and a short description of:
- What the client product/service is (e.g., exhibit fabrication, experiential design, production services, event technology, staffing, creative production, logistics, fabrication, etc.)
- Typical buyer decision path (do they sell to brands directly, or to agencies/producers, or to venues?)
- Geography served (nationwide vs. specific regions)
- Average deal size / contract type
Once we have that, we will:
- Map the client offer to the most relevant buyer titles and organizational types
- Choose the best-fitting industries from your provided list (examples: Events Services; Marketing & Advertising; Entertainment; Hospitality; Media Production)
- Produce a buyer-only table of target companies with best titles and tailored “Why this is a good buyer fit” logic for ACCESS @ Biltmore Resort
9) Industry suggestions (aligned to your Apollo-style industry list)
For ACCESS @ Biltmore Resort, we recommend prioritizing these industries from your provided list (and expanding as your client-product review confirms the real fit):
- Events Services
- Marketing & Advertising
- Entertainment
- Hospitality
- Media Production
- Professional Training & Coaching (if your client supports education/professional programming)
- Program Development (if your solution supports content/program creation)
To finalize the “best buyers” for your needs: please send the client website for review. We will then return an optimized buyer list for ACCESS with priority ranking and role targeting aligned to the exact buying behavior of your client’s addressable market.
Data sheet
| Event Name | Experiential Designers and Producers Association - EDPA Access |
| Event Date | 1 Dec 2026 - 3 Dec 2026 |
| Event Status | Upcoming |
| Venue | Biltmore Resort |
| City | Phoenix |
| State / Region | AZ |
| Country | United States |
| Organizer | Experiential Designers & Producers Association (EDPA) |
| Official Event Website | edpa.com/edpa-events |
| Event Type | Association event / industry networking / education / business development gathering |
| Primary Category | Business Services |
| Secondary Applicable Categories | Entertainment & Media; Travel & Tourism; IT & Technology; Industrial Engineering |
| Audience Reach | National with international member-network reach |
| Estimated Attendance / Expected Footfall | Attendance figure not publicly confirmed by the organizer. |
| Attendance Data Reliability | Low for attendance count; high for date, venue, organizer, and association positioning. |
| Main Purpose of Event | To convene leaders in the experiential, exhibit, and event industry for networking, industry updates, education, and business development. |
EDPA Access is an association-led industry event hosted by the Experiential Designers & Producers Association, a long-established organization serving the experiential, exhibit, and event sector. The official EDPA event page positions ACCESS as part of its annual event calendar, bringing together professionals involved in designing, producing, building, and delivering live experiences, branded environments, exhibitions, and event activations.
The event matters because it sits at the intersection of creative production, fabrication, logistics, venue execution, and client services. That mix makes it relevant to suppliers and partners serving exhibit houses, event producers, staging firms, AV providers, logistics companies, technology vendors, and service contractors that support experiential marketing, trade shows, and corporate events. It is a strong B2B relationship-building venue for prospecting, partnership development, and industry education.
| Buyer / Attendee Segment | Typical Organizations | Buying Role or Influence | Relevance to Exhibitors / Suppliers |
|---|---|---|---|
| Experiential agencies and event producers | Brand experience firms, exhibit houses, event production companies | Decision-makers for production partners, fabrication, AV, logistics, and tech | Core audience for event services, materials, equipment, software, and subcontracting |
| Procurement and sourcing teams | Large agencies, corporations, and exhibit suppliers | Vendor selection, rate negotiation, compliance, and supplier onboarding | Important for suppliers targeting repeat purchasing and preferred-vendor status |
| Operations and production leaders | Production shops, staging companies, scenic fabrication firms | Own delivery schedules, labor, equipment, and quality control | Highly relevant for tooling, equipment, labor support, freight, and workflow systems |
| Creative directors and exhibit designers | Design studios, experiential marketing agencies, exhibit design teams | Influence solution choice, specifications, and innovation requests | Strong audience for design tools, materials, digital content, and immersive tech |
| Sales and business development leaders | Exhibit builders, scenic vendors, event service firms, AV companies | Drive partnerships, client growth, and cross-selling | Relevant for lead generation, account development, and channel partnerships |
| Technology leaders | Immersive tech providers, event tech platforms, digital agencies | Evaluate software, hardware, integrations, analytics, and workflow tools | Relevant for SaaS, registration, lead capture, content, and production tech vendors |
| Association and chapter leaders | EDPA leadership, chapter boards, allied trade groups | Shape partnerships, programs, sponsorships, and industry initiatives | Useful for sponsorship, membership services, and industry relations outreach |
| Supplier and subcontractor partners | Fabricators, printers, AV partners, logistics providers, rental firms | Support project delivery and overflow capacity | Strong fit for businesses seeking channel and subcontracting relationships |
| Geographic Area | Likely Attendee Origin | Buyer Concentration | Notes |
|---|---|---|---|
| Host city: Phoenix, AZ | Local EDPA members, regional vendors, venue and hospitality partners | Medium | Strong proximity advantage for Arizona-based suppliers and services |
| Host state / region: Arizona and Southwest | Arizona, California, Nevada, New Mexico, Utah, Texas | High | Likely strong concentration from Southwest production and event services firms |
| Nearby business hubs | Los Angeles, San Diego, Las Vegas, Dallas, Denver | High | These hubs support exhibit production, creative services, and event logistics networks |
| National reach | U.S. association members, multi-market agencies, national suppliers | High | EDPA operates as a national association with broad domestic participation |
| International reach | Association network across 18 countries | Medium | Official EDPA site states members represent more than 300 companies across 18 countries |
| Reach Level | Assessment | Explanation |
|---|---|---|
| Primary Reach | National | EDPA is a U.S.-based association with a national member base and event calendar centered on industry networking and education. |
| Secondary Reach | Global member-network reach | The official site states representation across 18 countries, indicating international relevance even if the event is U.S.-hosted. |
| Buyer Company / Organization | Buyer Type | Why It Is Relevant | Website | Best Job Titles to Target | Evidence Level |
|---|---|---|---|---|---|
| Freeman | Event services / exhibit producer | Large experiential and live-event service provider; strong buyer of production, logistics, tech, and talent solutions | freeman.com | VP Procurement, Director of Production, Category Manager, Operations Director | Strong Market Fit, Attendance Not Confirmed |
| GES | Event services / trade show solutions | Relevant for partnerships, subcontracting, freight, materials, and event production support | ges.com | Procurement Manager, Operations Director, Business Development Director | Strong Market Fit, Attendance Not Confirmed |
| The Expo Group | Exhibit and event services | Produces and supports exhibits, activations, and corporate events requiring suppliers and specialist services | theexpogroup.com | Director of Procurement, VP Operations, Partnerships Director | Strong Market Fit, Attendance Not Confirmed |
| Nth Degree | Brand experience and exhibit services | Buyer of fabrication, AV, digital, staffing, and logistics services for experiential programs | nthdegree.com | Production Director, Supplier Diversity Manager, Procurement Lead | Strong Market Fit, Attendance Not Confirmed |
| George P. Johnson | Brand experience agency | High-value buyer of experiential technology, scenic fabrication, content production, and event delivery partners | gpj.com | VP Production, Director of Sourcing, Technology Director | Strong Market Fit, Attendance Not Confirmed |
| Poretta & Orr | Exhibit and environment producer | Likely buyer of materials, fabrication services, project management tools, and event partnerships | porettaorr.com | Operations Director, Procurement Manager, Business Development Director | Strong Market Fit, Attendance Not Confirmed |
| AGI | Experiential and exhibit services | Potential buyer for technology, fabrication, and production support across live events | agi.com | Director of Procurement, VP Operations, Program Manager | Strong Market Fit, Attendance Not Confirmed |
| InVision Communications | Experiential marketing agency | Relevant for design, digital engagement, content, and live production buying | invisioncomms.com | Creative Director, Operations Director, Partnerships Director | Strong Market Fit, Attendance Not Confirmed |
| Orbus Exhibit & Display Group | Exhibit manufacturer / supplier | Buyer and partner for materials, printing, logistics, and production solutions | orbus.com | Sourcing Manager, Operations Director, Category Manager | Strong Market Fit, Attendance Not Confirmed |
| dmg events | Event organizer | Large organizer with recurring needs in venue services, event tech, operations, and sponsorship support | dmgevents.com | Procurement Manager, Event Operations Director, Commercial Director | Strong Market Fit, Attendance Not Confirmed |
| Clarion Events | Event organizer | Potential buyer of production services, content platforms, and audience engagement solutions | clarionevents.com | Director of Operations, Procurement Lead, Commercial Director | Strong Market Fit, Attendance Not Confirmed |
| Priority | Job Title / Function | Department | Seniority Level | Why This Role Matters |
|---|---|---|---|---|
| 1 | VP Procurement / Director of Procurement | Procurement | VP / Director | Controls vendor selection, pricing, and supplier onboarding. |
| 2 | Strategic Sourcing Manager | Sourcing | Manager | Evaluates suppliers for event build, fabrication, and services. |
| 3 | Operations Director / Producer | Operations / Production | Director | Owns delivery, timeline, subcontractors, and production standards. |
| 4 | Business Development Director | Sales / Growth | Director | Builds partnerships and new revenue opportunities. |
| 5 | Creative Director / Exhibit Designer | Creative / Design | Director / Senior Manager | Influences materials, design systems, and technology choices. |
| 6 | Technology Director / IT Director | Technology / IT | Director | Owns digital platforms, analytics, integrations, and event tech stack. |
| 7 | Partnerships Director | Partnerships / Alliances | Director | Important for sponsorships, collaborations, and channel relationships. |
| 8 | Supplier Diversity Manager | Procurement / ESG | Manager | Supports diverse vendor sourcing and compliance programs. |
| Priority | Apollo Industry | Why It Fits the Event | Best Buyer Use Case |
|---|---|---|---|
| 1 | Events Services | Directly aligned with experiential and live-event delivery | Lead gen for production, AV, labor, and support services |
| 2 | Marketing & Advertising | Experience design and brand activation buyers sit here | Agency and brand-side experiential teams |
| 3 | Entertainment | Creative production and live experience crossover | Immersive and show-production prospects |
| 4 | Design | Key for exhibit, scenic, and experience design functions | Creative decision-makers and specifiers |
| 5 | Management Consulting | Advisory firms supporting enterprise event strategy and transformation | Strategic partnerships and enterprise clients |
| 6 | Information Technology & Services | Event tech, registration, analytics, and workflow platforms | Software and digital infrastructure prospects |
| 7 | Logistics & Supply Chain | Freight, labor, warehousing, kitting, and shipping are core needs | Operational suppliers and distribution partners |
| 8 | Construction | Fabrication, exhibit build, and temporary structures align well | Build partners and subcontractors |
| 9 | Industrial Automation | Relevant for production systems, shop-floor efficiency, and automation | Manufacturing efficiency and fabrication tech |
| 10 | Consumer Goods | Brand owners often buy experiential marketing and trade show services | Brand-side event marketing and activation teams |
| 11 | Facilities Services | Venue support, site services, cleaning, and labor needs intersect here | Venue and operations support |
| 12 | Wholesale | Distribution channel partners and resellers for event-related products | Channel development and reseller outreach |
| Metric | Figure | Status | Source / Basis | Notes |
|---|---|---|---|---|
| Estimated total footfall | Not publicly confirmed | Confirmed absence of public figure | Official EDPA event page reviewed | Organizer does not publish attendance figure on the referenced page. |
| Exhibitor count | Not publicly confirmed | Unconfirmed | Official event page reviewed | No exhibitor roster shown in provided source content. |
| Buyer count | Not publicly confirmed | Unconfirmed | Official event page reviewed | Likely mixed association attendance rather than a buyer-specified hosted buyer program. |
| Speaker count | Not publicly confirmed | Unconfirmed | Official event page reviewed | No current agenda or speaker list included in provided source content. |
| Sponsor count | Not publicly confirmed | Unconfirmed | Official event page reviewed | The page notes sponsorships are available, but not a sponsor list. |
| Historical attendance | Not publicly confirmed | Unavailable | Official website content provided | No verified historical headcount supplied in the source text. |
| Focus Area | Typical Buyer Need | Buyer Engagement Opportunity | Relevant Supplier Offering |
|---|---|---|---|
| Experiential production | Reliable show delivery, fabrication, staging, and execution | Discuss production capability, capacity, and turnaround | Fabrication, scenic, labor, equipment rental, production management |
| Event technology | Lead capture, registration, analytics, hybrid tools, content delivery | Show how tech improves experience and efficiency | Event software, AV, interactive displays, data platforms |
| Logistics and warehousing | Kitting, storage, freight, and asset management | Frame reliability and service SLAs | 3PL, warehousing, drayage, packaging, inventory systems |
| Creative design | Immersive concepts, brand storytelling, modular design | Connect on design innovation and aesthetics | Design tools, materials, finishes, rendering solutions |
| Sustainability | Reusable assets, recycled materials, waste reduction | Position eco-friendly materials and circular programs | Sustainable materials, reuse programs, waste diversion services |
| Workforce and labor | Skilled crews, staffing, training, and safety compliance | Emphasize availability and certified expertise | Staffing, labor management, training, credentialing |
| Factor | Assessment | Explanation |
|---|---|---|
| Buyer relevance | Very High | The event directly serves experiential, exhibit, and event-industry buyers and influencers. |
| Decision-maker availability | High | Association gatherings typically attract owners, directors, and senior operators. |
| Data collection potential | Medium | High-value audience, but no public attendee list was included in the provided official content. |
| Apollo targeting potential | High | Clear industry and job-title filters can target event agencies, producers, and suppliers. |
| Geographic targeting potential | High | Phoenix location supports Southwest outreach plus national association targeting. |
| Best outreach approach | High-touch, relationship-led | Use personalized outreach focused on production outcomes, sponsorship, and partnership value. |
| Overall lead quality | High | Strong fit for suppliers serving experiential marketing, exhibit production, and live events. |
| Best use case | B2B lead generation and partnership development | Ideal for attendee list sales, sponsor outreach, and category-specific account targeting. |
| Limitations / risks | No public attendee roster in provided source | Current-year attendance and exhibitor details were not disclosed in the supplied event page text. |
| Filter Type | Recommended Filters | Purpose |
|---|---|---|
| Apollo industries | Events Services; Marketing & Advertising; Design; Entertainment; Information Technology & Services; Logistics & Supply Chain; Construction; Facilities Services; Management Consulting; Consumer Goods | Capture the core experiential ecosystem and related supplier base. |
| Departments | Procurement, Operations, Production, Creative, Marketing, Partnerships, IT | Identify both buyers and influencers across the event value chain. |
| Seniority | Manager, Director, VP, CXO | Prioritize decision-makers and budget owners. |
| Job titles | Procurement Manager, Director of Operations, Production Director, Creative Director, Business Development Director, Partnership Director, IT Director, Category Manager | Target titles most likely to buy, specify, or influence vendor selection. |
| Geography | United States; Southwest U.S.; Arizona; California; Nevada; Texas | Align outreach with likely regional participation and national supplier coverage. |
| Employee size | 11-50; 51-200; 201-500; 501-1,000; 1,001-5,000 | Balances mid-market agencies and larger event-service providers. |
| Keywords | experiential, exhibit, event production, trade show, brand experience, scenic, fabrication, live events, activation, staging | Refines targeting to the experiential production ecosystem. |
| Technologies | Event registration, lead capture, CRM, marketing automation, AV, digital signage, project management | Useful for event tech vendors and workflow suppliers. |
| Company type | Private companies, agencies, event-service firms, brand experience firms, associations | Focuses on organizations most likely to buy event services and tools. |
| Revenue range | $5M-$500M+ depending on solution type | Useful for differentiating mid-market and enterprise prospects. |
| Source | Type | What It Verified | Reliability |
|---|---|---|---|
| EDPA Events page | Official organizer source | Event name, venue, city, dates, organizer, association positioning, and annual event calendar context | High |
| EDPA homepage | Official organizer source | Association mission, founding year, scope, member network size, and international reach | High |
| User-provided event details | Event brief | Venue name, Phoenix, AZ, United States, and 2026 date range confirmation | High |
| Biltmore Resort | Venue reference | Venue naming alignment for event location | Medium |
🎯 Selling to this event's audience? Get a free tailored buyer list
Tell us your work email and our AI instantly builds a buyer list matched to Experiential Designers and Producers Association - EDPA Access — the best‑fit companies to target, the exact decision‑maker job titles, and the industry filters that fit what you sell.